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New York DJ and production duo, Walker & Royce, know a great tune when they hear one. Their camaraderie behind the decks has seen them...

Paul Arnold is the founder of Fat! Records, and the infamous Chew The Fat parties that took London by storm over a decade ago —...

21-year-old UK native, Harrison’s strengths lie in his uniqueness. As both a vocalist and DJ his stage performances combine both talents for a new...

Since getting together in 1999, Pig&Dan have pretty much always released dancefloor techno — until now, that is. 'Destination Unknown' is an artist album that...

Last week Miller Genuine Draft launched SoundClash - the incredible new DJ competition in association with DJ Mag and Mixcloud.

The competition will give...

All Roads is a collective of music producers, DJ's, visual artists, videographers, photographers and a record label. Envisaged by K-aze, aka Lemon D of legendary...

It might be home to the White House, but in recent years Washington has lacked strong leadership in terms of its club scene. That all...

The eighth edition of the Drum & Bass Awards is nearly upon us, and there's still time to vote in this year's poll. You can...

Obaro Ejimiwe better known as Ghostpoet hit the ground running with his debut album ‘Peanut Butter Blues & Melancholy Jam’, released on Gilles Peterson’s Brownswood...

Can Bristol's city festival bring back the sun and smiles? In the company of Bicep, Seth Troxler and Shy FX, among others, you bet...


Miss Bee is the honeysweet go-to house vocalist of the moment

As rolling eyes clock the camouflage draped ceilings with bug-eyed ravers lining the leather clad walls the new soundtrack of future house and bass that fills the dancefloor marks the arrival of Junk's latest night Bang Bang. Arguably the South’s answer to Fabric and the proud nominees of DJ Mag’s Best Of British Best Small Club Award are excited to offer their latest take on the ever-evolving dance culture. As Junk director Louis Lawrence describes the new addition to the Junk family, “The music is slightly more underground/future-sounding. It spans more than just house music; we’ve coined it 'Future Beats & Bass'”.

As one of the final dates in the festival calendar, the latest addition to Croatia’s coastal party scene has promised a fine coda to the summer since its mouth-watering lineup dropped at the start of the year. Held in the same spot as older sibling Outlook, which celebrated its fifth year the week before Dimensions opened its doors, it’s been billed as a more highbrow offshoot – in place of Fat Freddy’s Drop on the lineup stands Nicolas Jaar, Skream gives way to Carl Craig and there was nary a New Era cap in sight.

Don't get DJ Mag wrong, there's been a long tradition of the remix as a credibility boost in the music industry. Back in the day, from the late '80s and the first crossover of house music onwards, dire popstrels of the ilk of Simply Red and the Spice Girls (or rather their record companies) would be queuing up for a taste of authentic dance flavour, getting cool names to remix their tracks in order to boost sales of 12”s.

We take a look at the next generation of music promotion