The Leadmill has won its first court battle to avoid eviction. The historic Sheffield venue, which has been running for more than 43 years, announced...
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The High Court will now decide if a notice to vacate given to management and creative tenants breaks the law and infringes on Human Rights
Features
In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
There's a new techno sound echoing from the post-industrial streets of one of the UK's biggest conurbations. Influenced by Berlin and Detroit, Manchester's young producers...
Our personal geography is one of the formative things about us. Our immediate surroundings and the people that surround us are our most important influencers...
The Norwegian duo talk us through their million-selling debut LP for Wall Of Sound
How a largely instrumental album by an unknown Norwegian duo became a word-of-mouth million-selling sensation at the start of the decade, thanks to some unique...
Features
In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
Blond:ish tells DJ Mag the 10 tracks that shaped their career...
Canadian duo Blond:ish have found a home at Kompakt and Get Physical of late, their discerning club sets having taken them around the world in...
John Graham spills the beans
John Graham is a dance music lover, full stop. With production alias Quivver, and his arsenal of alter egos (Skanna, Space Manoeuvres, Stoneproof, and Tilt)...
Features
Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape. Here, with the help of musicians, its iconic video's director and others, Bailey Slater explores how, four decades on, it remains an unflinching anthem of queer liberation
Cover Features
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
Features
Black-owned music organisations, radio stations and record labels are helping to create vital platforms for Black producers and DJs who’ve been held back by systemic...
Features
The latest and greatest DJs and producers rising to the top this month. From hammering techno to trippy deep house, here's April 2019's list of...
Features
Audiophile sanctuaries for a premium auditory experience, listening bars — or hi-fi bars — are increasingly common in the UK and Europe. They prioritise a top-notch sound system and equipment, but increasingly differ from their Japanese forerunners. Ria Hylton learns more
Features
Get acquainted with the Stormzy-backed teenage star of Ghana’s Asakaa drill scene, Yaw Tog
The contribution of women throughout the history of electronic music has been huge, but too often undocumented...
By now the history of electronic music and its journey into clubs, concert venues, stadiums and homes worldwide is a well-established narrative. It’s a story...
Features
It wasn’t their song and they didn’t play any instruments, but Saint Etienne’s Balearic classic ‘Only Love Can Break Your Heart’ caught the tailwind of...