Listen to a lot of older techno today and it sounds rather restrained. Brilliant, yes, and futuristic too, yet largely soft and melodic compared to...
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The United Kingdom of rave returns
House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...
We hook up with the Dutch teenage hotshot ahead of an appearance at Ultra in Miami...
Across the world right now are thousands of 17-year-old kids dreaming of making it big in the gold rush days of EDM, dance music's biggest...
Signed to Digital Soundboy, stepping into Annie Mac’s shoes, and getting ready for a crazy summer of festival appearances, B.Traits explains how a Canadian country...
In the music industry there are two types of meteoric rise. One is a scary, Susan Boyle-shaped process, where the basking lizard kings of pop pluck an unknown, polish them dumb, tell them what their new name, hairstyle and personality is, and thrust them mercilessly into the light, there to cavort for our pleasure.
Redlight - the artist formerly known as Clipz - is flipping the dance script, shattering genres into a million pieces and pioneering a mongrel music...
As acolytes of electronic dance music, we tend to consider ourselves a fairly fortunate bunch. Within the panoply of different styles, genres and sub-strands, it's...
Holding court with one of the UK’s most innovative electronic duos...
“Everything around you is so cluttered. If you go online and look at social media, it’s this big bombardment of stuff. I really wanted to...
Features
Released on Tresor in 1992, Jeff Mills' debut LP ‘Waveform Transmission Vol. 1’ is a record that stands for repetition and filth, forged from wrought steel and imbued with scuffed-up funk. Here, 30 years after its release, Ben Cardew takes a deep dive into the sound, origins and legacy of an album that birthed a new breed of techno
DJ Mag soaks up the atmosphere...
As the curtain falls on the 52nd edition of Southport Weekender, Masters at Work drop Harold Melvin & the Blue Notes ‘Don’t Leave Me...
New world order
Glastonbury isn't a festival, it's a settlement. Twice the size of Bath, it's more like a refugee camp for society's arty and most liberal than...
Features
The latest and greatest DJs and producers rising to the top this month. From soulful house and hammering techno to electropop, bass and beyond, here's October 2022's list of upcoming talent you should be keeping track of
Features
Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development
Features
With a string of powerful releases, including the recent ‘Panther In Mode’, Alewya creates a musical universe that merges the spiritual and the physical. DJ...
Features
With her new ‘Embryo’ EP on Planet Mu, Jlin’s body of work takes another step toward unifying sound and motion. DJ Mag's Bruce Tantum catches...
Features
A decade in the making, Tom Middleton’s new LP as GCOM, ’E2-XO’, on !K7 boasts themes of space exploration, alien communication and utopian “super-habitable”...
Features
The Covid-19 crisis has thrown up many problems for the manufacturing and distribution of vinyl. Bruce Tantum speaks to a selection of record shops, labels...
Features
From the underground mixtape beatmakers, to those crossing over into the rap mainstream and drill scenes at home and abroad, Colin Gannon asks — who...