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Known for his work with RÜFÜS DU SOL, Broods, Hayden James and others, Grammy-nominated producer, mixer, and DJ Cassian is proof that if you build...

In Australia, there’s a phrase commonly used to describe people who “cut down” the overachievers in their midst due to their own insecurities. Those who...

Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...

The low spring sun is struggling to make a difference as the staggered city peaks of Central London interrupt its pale light. We’re at 180...

London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.

“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

Our world can sometimes feel like it’s closing in on us — political attitudes diverging into ideological extremes, we’re pummeled with tailored ads for things...

Festival crowd artwork

Most DJs love playing festivals, but what should you do when you’re asked to play one for free, and even cover certain costs yourself? Ria Hylton speaks to DJs Sheba Q, Harold Heath, Charlie Dark and others, along with festival organisers, to find out

Imagine this: you’ve been playing lowkey sets around your hometown for some years, run a small but well-loved party series and have landed a regular...

With a mix about to drop in Fabric's celebrated series, DJ Mag joins Alan on the road...

We’re standing behind the booth, staring at an endless sea of Glaswegians bathed in strobes — baying for more. Or that’s what it sounds like...

Exploring the gloopy, industrial side of dance music

On the eve of his latest 'Metal Dance' compilation, Trevor Jackson explains dark sounds are nothing new in dance...

Hot Natured have already dented the UK charts and sold out Brixton Academy in their first appearance as a live act. Now, with their debut...

Following the 20-year cycle of cultural revival, it's not just '90s fashions and sample libraries that have come back around onto dancefloors. Buoyed by America’s repackaging of dance music as EDM and pop’s perpetual shapeshifting, house music is finally back at the top of the charts.

As she prepares for another crazy summer season on the frontline at one of the world's most famous clubs - Pacha Ibiza - resident DJ...

She went on holiday to Ibiza in 1999 and never went home, she loves piano house, she shared an Ibiza residency with Pete Tong, she's...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

Derry-born DJ, producer and Céad label boss Or:la has had a remarkable journey so far, from throwing raves in abandoned buildings to playing the world's...

Becoming a DJ came to Orlagh Dooley in a dream. No, really. During her first year of university, Dooley had an epiphany, in the form...

2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...

Dancefloor trends come and go. Familiar genre tropes, motifs and tempos reinstate themselves as dominant themes in clubs and festivals big and small, while inventive...

The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...

“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...

We meet Jason Kendig and Jackie House of the San Fran party starters, in a converted Leyland Roadrunner backstage of Block9 at Glastonbury this year...

Shortly after 9pm on the Thursday night at Glastonbury this year, Jason Kendig and Jackie House of Honey Soundsystem are opening the Genosys stage of...

The Euphoria cover logo in green neon on a black background with green lasers

With the release of its first edition – 'For The Mind, Body and Soul' – via Telstar Records in early 1999, the ‘Euphoria’ mix compilation series quickly became one of the most popular and prolific of its kind, launching the big-room oriented trance, progressive and hard house sounds of clubland into the CD drives of thousands. 25 years later, Harold Heath looks back on its legacy, and on how its balance of clever commercial marketing and authentic live energy enshrined ‘Euphoria’ in UK dance music history

It’s 1999, and across the UK, countless car stereos and home systems are pumping out the planet-sized synth riffs of big-room trance. Tracks by Paul...