Joe Roberts asks, will the resurgence of rave provide the soundtrack to a post-COVID summer of love?“It looks like old skool raves will be the...
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In DJ Mag's April music columns, Joe Roberts, Carl Loben, Shiba Melissa Mazaza and Layla Marino spotlight topical sounds from around the world
In response to big room club culture, a number of grass roots promoters, venue managers, artists, and opportunists are seeing success from putting on free...
Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that
Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that, which is why he’s putting out an...
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy
Manchester DJ, NTS resident and BBC Radio 6 regular Tarzsa records an uplifting mix of warming, soulful house for the Fresh Kicks series, and chats to Eoin Murray about her lifelong love of sharing music with others
Brooklyn’s Ayesha blazes through a selection syncopated club sounds, thunderous techno and twisted breaks in her high-velocity Fresh Kicks mix, and chats to Eoin Murray...
Dubstep legend Pinch dishes up an hour of cutting-edge bass manoeuvres and propulsive rhythms as part of our Podcast mix series...
The latest and greatest DJs and producers rising to the top this month. From cutting edge drum & bass and Afro-funk to tough EBM and...
SNO
Nongi Oliphant, aka SNO, is a breath of fresh air for the DJ world. She’s been collecting records religiously for many years but it’s...
Object Blue's debut EP on Tobago Tracks is an assertion of presence unlike any we've heard so far this year – In her Fresh Kicks...
Object Blue's debut EP 'Do you plan to end a siege?' opens with a spoken passage, translated to read as an assertion of liberation, of...
In the lead up to his all-night headline show at Wembley Arena (the first of its kind) and following his glorious return to London’s SW4 festival...
Andy C is famous for his all-night sessions behind the decks. Exactly how many thousands of people have witnessed him spanning the many eras and sub-divisions of the drum...
A guide to dance music's pre-rave past
A guide to dance music's past
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
A decade in the making, Tom Middleton’s new LP as GCOM, ’E2-XO’, on !K7 boasts themes of space exploration, alien communication and utopian “super-habitable”...
DJ Mag's new Solid Gold series revisits and examines the ongoing significance and influence of electronic albums throughout history. In this month's edition, to mark...
‘Selected Ambient Works 85-92’ was the creation of the fevered imagination and unique musical mind of Richard D James, an artist who’s gone under a...