"This is less of a big, brash political statement, which you’d expect because of the title, but rather a collection of observations from a man...
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East London’s Jeshi documents personal struggles, social contradictions and life’s day-to-day mundanities with a wry wit and relatable appeal. For this month’s Meet the MC, Rahel Aklilu speaks to him about the observational songwriting of his debut album, ‘Universal Credit’
Features
96 Back sprints across a spectrum of styles in his electrifying Recognise mix, and chats to Kamila Rymajdo about his early diet of Actress and post-punk, finding confidence...
Features
Coronavirus may have put a stopper on travel to the White Isle for the moment, but that doesn't mean you can't discover the pockets of...
Features
Vinyl is back, but the format comes with a serious environmental cost. As the dance music world attempts to go greener, some companies are working out ways...
Tim Gane on why music is like a tapeworm and that time Daft Punk slipped him a demo...
In 1990, Tim Gane formed post-rock superstars Stereolab with Laetitia Sadier who would go on to become his partner (until 2004) and the mother of...
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A FEW WORDS FROM CLAPTONE...
“What time is it and where am I?” These are questions I find myself asking repeatedly lately. Yesterday, I flew...
On the eve of the label's 100th release, we talk to Romboy about turning his back on the mainstream and returning to his roots, his...
Marc Romboy is one of the most prolific and diverse DJ/producers around. From his early '90s house beginnings through a spell in pop music and...
Can London trio Dark Sky make the tricky transition to an album and live band shows? You bet they can...
Triangles have enjoyed a good innings in the last few years. Alt-J won the Mercury. And the Illuminati continued their insidious global rule via all...
Having just cooked up his fourth studio album, ‘Abaporu,’ we get a choice serving of the man behind the music...
“We choose to go. We choose to stay. We stick together. We vote. We can stand, we can fight, or we can go.” A speech...
<p>It’s a good job Italian DJ/producer Riva Starr loves his job...</p>
The secret to a successful career in music-making, says Naples-born, London-based producer Riva Starr, must have something to do with having the ability to “surprise...
John Digweed bids fond farewell to The Vagabond in Miami and reflects on rave days of yore while looking forward to his still-flourishing future
John Digweed was DJing long before the acronym “EDM” existed, let alone went mainstream and became the musical backdrop of Generation Now. In fact, back...
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Are you the best DJ/producer who just hasn’t yet been discovered by the mighty Pete Tong to catapult your career into an overnight success? We...
Saul talks about his new album, collaborations and a hatred of pirates.
Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.
We catch up with the Detroit-born Kris Wadsworth
Detroit-born Kris Wadsworth talks to us about Plastikman, giving up drink and drugs, still playing vinyl in a digital age, and making more fucking tracks for labels like Hypercolour, Morris/Audio, and Get Physical from his adopted city of Berlin...
Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.