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Gomma Records’ boss Munk has hooked up with some of the world’s hottest underground female vocalists for his new production album. DJmag finds out more...

“I like my jeans to be dirty and I like my music to be dirty too,” says Munk, aka Mathais Modica, co-owner of experimental dance...

From disco through to freestyle, Miami bass, hip-hop, tribal, tech and Latin house, Miami has always had a rich and vibrant club scene. 
 Prior to...

"In Miami, dance music has always been about the drums, whatever style of music it is," grins DJ Oscar G, one half of Murk, co-owner...

Kerri Chandler DJing live

For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet

“Sorry, it’s a little dark in here. I usually have club lighting on down here, like with rotating heads and stuff,” Kerri Chandler says, with...

The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...

Ever since the birth of acid house in the late ‘80s, UK dance music has been defined, legislated against and demonised on the basis of...

We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways

MATT CANTORMatt Cantor formed The Freestyler with Aston Harvey in the mid-‘90s, and soon had a Top 40 hit with ‘B-Boy Stance’ featuring the late...

Aluna George DJ Mag North America April 2022 cover

Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival

"I perhaps could have been a bit more cautious,” Aluna Francis — sitting in her downtown LA home, sunglasses perched upon her braided blue coif...

Better than an office Christmas party...

So another year is as good as done, lying sprawled out on the floor like the hedonistic version of Fatal Attraction's deranged mistress; spent, but...

This month's ones to watch...

MOLLIE COLLINS
Master of the graft

There’s a lot of depressing shit going down in the world right now, but if you need a pick-me-up...

We take a peek at the studio set-up of 'G-house' dudes Amine Edge & DANCE...

French production duo Amine Edge & DANCE coined the phrase “G house” to describe their low-slung, tough and funked-up take on dance music. Initially drawing...

Marquee resident and EDM A-lister speaks out

Las Vegas’s dance music gold rush has seen buzzword clubs flip quicker than a winning hand at a hot table. But it’s Marquee Nightclub and Dayclub that’s gobbled up more column inches than any other. That’s down in no small part to the Who’s Who of DJ residents they’ve brought in. That, in clip-note form, is what’s brought us here today: a sit-down and pow-wow about Marquee, the universe and other things with one of their resident elite. Step forward Jeffrey Sutorius, DJ, frontman, mouthpiece and best-known-face of trance trio Dash Berlin. And a man it transpires that, like Las Vegas, has seen some boom and bust of his own.

We catch up with Digital Delight/Sultry Vibes boss Sishi Rosch

The musical feast that is BPM Festival helped us to catch up with lots of up-coming acts who had been on our radar for some...

The artist's perspective

You can read our review of BPM 2013 in the March issue of DJ Mag (out 28th February). Here's a preview though; we love it...

Yen Sung posing in an indoor archway of an emtpy club. A disco ball hangs behind her

For three decades, Yen Sung has been at the beating heart of Lisbon’s club scene. As a longstanding resident at Lux and its downtown predecessor Frágil, and as a producer of timeless house tracks, she’s rightly earned her legendary in Portuguese dance music. But as April Clare Welsh learns, she’s busier and more energised than she’s ever been. Alongside a thumping On Cue mix of pure dancefloor energy, she shares her story

Yen Sung was right down the front when Prince performed a one-off show at Lisbon’s Lux Frágil club in December 1998. “It was amazing. Especially...

The cover of New Order's Technique on a light blue background

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

If you want to understand British music’s generational leap from punk to acid house, there is no better lead than New Order’s ‘Technique’. Released on...

Rhyw by Kasia Zacharko

Fever AM co-founder Rhyw steps up for the Recognise mix series, and chats to Eoin Murray about his forthcoming release, his childhood obsession with The Prodigy and the all-important element of surprise in his hallucinatory club music

Rhyw wants to surprise you. In his catalogue of warped, oddball techno, linear beats are twisted into unpredictable shapes. The Welsh-Greek DJ and producer –...