Dancefloor trends come and go. Familiar genre tropes, motifs and tempos reinstate themselves as dominant themes in clubs and festivals big and small, while inventive...
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2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...
Ashley Wallbridge lifts the veil on ghost producers
Some of you might know Ashley Wallbridge from his soaring, emotional melodies on tunes like ‘Keep The...
Matthew Dekay holds forth about label
Growing up in Holland as a classically trained musician, Matthew Dekay today stands at the forefront of Berlin's deep house and techno scene.
With a...
Part two of our 'Black Sun' interview...
Here, we talk to regular Kode9 collaborator and vocal foil Spaceape (Stephen Gordon) about their new album together, 'Black Sun'...
How did you first...
Tom Trago - one of Amsterdam's freshest underground house and techno producers - recommends the coolest new artists breaking through and putting the Dam firmly...
It's no secret that Amsterdam is a great music city, particularly where dance music is concerned. Host to a rich mix of hip and legendary...
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
The latest and greatest DJs and producers rising to the top this month. From quaking dubstep and tripped-out rap, to healing house, R&B and beyond, here’s February 2024’s list of upcoming talent you should be keeping track of
Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
A new photography book, Drumz Of The South: The Dubstep Years 2004-2007 captures the early years of dubstep, depicting an important cultural moment in UK musical history. Charlie Bird talks to photographer Georgina Cook about the invention and excitement of the time, the influence of South London, and how that moment is influencing a new generation
Shocked by the spate of accidental opioid overdoses in the US clubbing community, DJ and producer Lauren Flax decided to take action. With the help of healthcare professionals and...
The latest and greatest DJs and producers rising to the top this month. From fiery percussive club music and techno to celestial synths and deep...
The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...
More than a year after dancing stopped in Ibiza, the middle of 2021 sees a glimmer of hope. DJ Mag’s man on the White Isle...
DJ Mag speaks to Young Urban Arts Foundation about their vital work using music and the arts to help young people from hard-to-reach areas