When Damon Albarn’s Gorillaz loped onto the scene with their self-titled debut album in 2001, this virtual band looked like it might be the future...
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Gorillaz’ 2001 self-titled debut laid the foundations for Damon Albarn and Jamie Hewlett’s animated outfit. With a rotating cast of collaborators and a genre-merging style...
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Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...
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Dallas has long been a hub of razor sharp electro, but its history is lesser known than that of Chicago or Detroit. Here, Ben Murphy...
Dallas, Texas is an unlikely nerve centre of electro music. The city’s small but tight knit cabal of producers and DJs have been releasing essential...
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Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
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“There are no rules,’ says Brighton genre manipulator Etch as he tells DJ Mag about his debut album, 'Ups & Downs' on Sneaker Social Club...
There are plenty of artists who proclaim the influence of hardcore, but there are very few whose birth was possibly induced by it. “She used...
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The Bristolian bass merchant speaks out on his late success, and his plans for the Miami 2013!
The last 18 months have seen Bristol’s Eats Everything seemingly come from nowhere to land international success as a DJ and release a string of well-received productions on top labels such as Dirtybird and Pets Recordings. As he prepares to play at one of DJ Mag’s renowned Miami parties at WMC, he talks candidly about Transatlantic crowd-pleasing, his upcoming raft of collaborations and how his success has, in truth, been anything but overnight...
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In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks
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New York’s Kindergarten Records has become an essential outpost for hard-to-define, easy-to-dance-to club music in just two short years. Alongside a mix from its catalogue, founder Ma Sha tells Sophie McNulty how friendship and a sense of fun are at the heart of the imprint
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For his first album in nearly seven years, Fort Romeau drew inspiration from past eras, and places that have lingered in his imagination. But, he says, he never lets nostalgia be a stylistic trap
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Tattooist-turned-rapper TRAPY speaks to Amy Fielding about his favourite Marvel characters, obscure samples, and his reason for anonymity
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Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him
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Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
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For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet