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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders

In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, ahead of Dialled In festival, Daytimers’ Gracie T spotlights breakthrough sounds from the new South Asian underground

Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development