If anyone is going to be searingly candid about real life in the music business, it's Sepehr Alimagham Tabari. With his four-year-old label Shaytoon Records...
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Features
Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...
If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...
Features
The team behind Parisian label Zone — The Hacker, Alexandre Reynaud and David Rimokh — discuss the friendship and artistic ethos behind their techno and...
Features
Spanning hard drum, nu-metal mutations, Jersey club and trance-imbued techno, Syn pulls no punches in her frenzied Fresh Kicks mix
“We play a lot of the ‘Hard’ genres,” says Syn of CXNT, the queer party she co-runs in Cork, Ireland. “Hardstyle, hard drum, hardcore, hard...
DJ Mag reflects on the legendary singer's impact on dance music...
George Michael, who passed away at the tail end of last year, started off in the clubs before making it big with Wham! As a...
Features
With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band
Features
The creative trajectory of Porter Robinson has seen the American producer weave through diverse genres and challenging sounds. DJ Mag chronicles the pivotal moments and...
At age 26, Porter Robinson already stands as one of America’s greatest, most ambitious producers of his generation. From his humble beginnings as a self-taught...
Laurent discusses his free mix CD
He's mixed this month's storming SW4 covermount mix, packed with fresh French artists, ahead of an appearance at the festival. Fired up by his country's dance renaissance, he talks to us about that and loads more...
When is a band not a band? We aim to find out...
When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...
Tech
It's possible to stream to Instagram Live from your computer with high-quality audio and multiple camera angles. Here's how
Features
Gorillaz’ 2001 self-titled debut laid the foundations for Damon Albarn and Jamie Hewlett’s animated outfit. With a rotating cast of collaborators and a genre-merging style...
Features
Saint Petersburg’s rising star in jungle, footwork and hybrid bass music, A.Fruit, records a 100% productions mix for the Recognise series, and chats to Kamila...
We meet the Indian DJ causing a riot...
The fortunes of Niles Hollowell-Dhar, aka KSHMR (pronounced ‘Kashmir’), have skyrocketed since he adopted his chosen moniker, with a nod to his Indian heritage. The...
Features
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
Features
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
Features
As part of our special edition on fighting racism and racial injustice in the dance music industry, we have collated alphabetical lists of collectives, organisations...