“There were times, I can’t do it now — don’t even ask me — where I ran up walls and did backflips.” On what feels...
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DJ Mag chats to James Ford about making the new LP, aliens, cowboy ghost towns, destruction and drones...
When the Klaxons joked that their producer, James Ford, communicated with aliens through his hair, they weren’t only paying tribute to his curly black locks...
The out-of-the-box big beat anthem from the Wall Of Sound act Propellerheads
Based in Bath in south-west England, near musical hot-spots Glastonbury and Bristol, Alex Gifford had some quite varied early musical experiences. He played sax with...
Features
Sheffield's Cabaret Voltaire were way, way ahead of their time.
Neil Kulkarni talks to founder Richard H Kirk about apathy, necessity and house music...
We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...
“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”
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The trap phenomenon explained
Trap is the slow-rolling, synth-heavy, snare-snappin' sound that's swept underground dancefloors and stadiums alike across the US and Europe. But what is trap? Is it a genre of its own? Where does it come from? Why's it so popular — and why's it hated in equal measure? Does it have a future? Danna Takako investigates...
Whether you call their music Dirty Dutch, the Dutch Sound or just Dutch house, the main players from Holland's house scene such as Afrojack, Chuckie...
The Dutch, in case you hadn't noticed, are taking over. Following years in which the country's trance DJs have occupied the upper echelons of DJmag's...
New album and live dates from the Mancunian post-punkers
Formed in 1979 from the ashes of punk, and named after a Brian Eno lyric, A Certain Ratio’s influential blend of punk, funk, disco...
The Andy Warhol of dance music and self-proclaimed Mayor of Williamsburg, Larry Tee injects attitude into electro-house with his new album
Cruising over the Brooklyn Bridge away from Manhattan’s lofty skyscrapers and towards his home in Williamsburg, Larry Tee and his entourage are discussing an important...
Features
With mental health and wellbeing one of the principal keynote topics at the International Music Summit (IMS) in Ibiza at the end of this month...
Flying high in the music industry can seem idyllic, but is there a price to pay? Coupled with the perceived glamour is a 24/7 lifestyle...
Features
The latest and greatest DJs and producers rising to the top this month. From searing electro, acid and breaks to hype UK funky fusions and...
Tred
Berlin-based Aussie Tred might be a new name, but he’s rapidly gaining a reputation for laser-guided electro killers. Debuting last year on P.Leone’s E-Missions...
One of the most innovative, groundbreaking producers in electronic music, Squarepusher pushed the jazz/jungle fusion envelope into outer space in the mid-'90s with his 'Squarepusher...
It could have been his junglist garage pastiche ‘My Red Hot Car’. Or it could have been the burning 303 d&b of ‘Vic Acid’. In...
Can London trio Dark Sky make the tricky transition to an album and live band shows? You bet they can...
Triangles have enjoyed a good innings in the last few years. Alt-J won the Mercury. And the Illuminati continued their insidious global rule via all...
Features
Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story
Features
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in