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Results for: Aphex Twin

Xavier de Rosnay & Gaspard Augé speak up...

The analogue synth craze is out of control. It’s hit its apex with SURVIVE’s John Carpenter-style soundtrack to Netflix sci-fi show Stranger Things. Now everyone’s...

From the underground mixtape beatmakers, to those crossing over into the rap mainstream and drill scenes at home and abroad, Colin Gannon asks — who...

Like dance music, rap has a tendency to splinter into specialised subgenres. Back in 2012, Chicago producers Young Chop, DJ L and Smylez began warping...

It's the most wonderful time of the year

Time to stock up on studio and booth goodies for yourself and your fellow musical loved ones. We've got the ultimate gift guide for DJs...

Paranoid London’s acid reign

Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach

It’s a dark, wintery evening in far North London and Paranoid London are in full flow at DRUMSHEDS, London’s latest super-venue. Opened on a former...

Blue illustration of a pair of headphones with swirling blue soundwaves coming out of either side

More and more artists and listeners are discovering the benefits of ambient music to our mental health. Here, Manu Ekanayake speaks to artists Meemo Comma, Auntie Flo, CLAIR and KMRU about its therapeutic qualities, and learns how one NHS neuroscientist, James Kilner, is using it to help people with anxiety and depression

Fans of ambient music will know that the genre takes its name from Brian Eno’s seminal 1978 album, ‘Ambient 1: Music For Airports’. Meanwhile, the...

Beatboxing header image

Since beatboxing first arrived on British shores from the US in the ’80s, the passion and innovation of UK acts have taken the art to unimaginable heights. Jak Hutchcraft charts the development of the scene, speaking to boundary breakers and educators, and finds it in ruder health than ever

DJ Mag is sat in Wembley Arena surrounded by thousands of singing children. We’re at a Young Voices event — the largest school choir in...

The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...

September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...

We catch up to find out all about his new project...

Carl Craig, one of the most important artists in techno, has been working with an orchestra to breathe new life into some of his back...

Once focused on the techno of Detroit, Joris Voorn’s latter-day productions have conquered his native Holland, Ibiza and the world. While some have accused him...

From a devotee of Detroit to becoming the leading light of the Dutch underground scene, Joris Voorn’s ascent has been as methodical and measured as...

With Marc Romboy, Jules Buckley, Max Richter, Carl Craig and more...

At first glance, we’re led to believe that the worlds of classical and electronic music are galaxies apart. But there are more parallels and crossovers...

When is a band not a band? We aim to find out...

When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...

It took decades and many mutations for dance music to develop into the genres we know today. Here's what happened before DJ Mag was born...

“In the beginning there was Jack... and Jack had a groove!” So the old Mr Fingers track goes, but of course music made for dancing...

Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...

In late summer, the rain falls in great sheets, and DJ Mag dives under the cover of shop awnings in Shoreditch, East London. On a...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

DJ Mag follows the Numbers boss from Glasgow to Glasto to hear about his unstoppable rise....

Jackmaster has hit the big league in recent times. The DJ who started out in Glasgow has now made a name for himself worldwide, yet...