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Results for: Arca
Cover Features
Or:la: living the dream

Derry-born DJ, producer and Céad label boss Or:la has had a remarkable journey so far, from throwing raves in abandoned buildings to playing the world's...

Becoming a DJ came to Orlagh Dooley in a dream. No, really. During her first year of university, Dooley had an epiphany, in the form...
Features
It takes a village, people: preserving San Francisco's gay disco history

The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...

Deep in the vaults of the San Francisco GLBT Historical Society and Museum Archives, a modest wooden crate glows with the importance of a sacred...
Features
Kevin Saunderson: the E-Dancer returns

Techno would not exist as it does today without Kevin Saunderson. Some of the Detroit techno architect’s most revolutionary work has been released under the...

Techno is the language of machines speaking to each other, the vocabulary of shiny circuitry, the sound of the future in the here-and-now. But when...

Photo of the four members of Girls Don’t Sync in the booth together
Features
Girls Don’t Sync: rise together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

aslice
Features
Aslice wants to fix the imbalance between DJ and producer incomes, here’s how it works

DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?

Aslice is a new platform founded by DJ and producer DVS1. The service is designed to help close the gap in income between DJs and...
Features
No phones, Covid testing, anxiety and euphoria: what’s it like to go clubbing in the UK after lockdown?

With clubs and festivals back in full swing in the UK, DJ Mag speaks to a range of club-goers, from DJs and bar staff to...

When clubs in England first reopened on 19th July after over a year of lockdowns, social distancing and isolation, thousands flocked to dancefloors across the...
Features
How Black Science Orchestra’s ‘Where Were You?’ marked a coming-of-age moment for UK house

Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...

Black Science Orchestra founder Ashley Beedle mulls over last year’s activity and bursts into laughter: “I went to the doctor to get my COVID jab...
Features
How are clubs and promoters approaching a safe return to the dancefloor?

Clubs across England opened dancefloors for the first time in 16 months during the early hours of Monday morning (19th July). But while people hit...

“The clowns in Government have abdicated responsibility,” says promoter Rich Reason, a matter of days before the return of his storied Manchester party, Hit and...
Features
Jaguar: UK radio’s next gen champion

Jaguar is the DJ and presenter at the helm of the BBC Introducing Dance show, giving first plays to many up-and-coming producers from around the...

“I think 2020 showed us how important radio is. It’s that human connection and companionship,” says Jaguar Bingham, who sounds just as warm and friendly...
Features
Berlin clubbing and COVID-19: how Europe's party capital is changing

One of the world’s great party cities, Berlin is facing up to the COVID-19 pandemic in its own unique way. How are the clubs getting...

It’s a Sunday afternoon in early October, and the trees in Berlin are clinging onto their leaves. Soon, they’ll fall away, revealing the graffiti-strewn yellows...
Music
Recognise: UNIIQU3

Returning after a pause due to the impact of coronavirus, Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto...
Features
AceMoMa: A new dawn

With ‘A New Dawn’, AceMo and MoMa Ready — working together under the AceMoMa banner — aim to alter the world’s perception of American club...

Unseasonable warmth and clear skies have brought an unusually bustling crowd to The Lot Radio. The internet radio station and café, based at the borderline...

Features
The real life of an underground DJ

From back-to-back travel and navigating unknown places, to the thrill of peak time raving and the low of the next day, touring DJs lead lives...
Features
The unrelenting strength of Kuduro, Lisbon's most exciting sound

Over the last decade, the Afro-Portuguese sound of Kuduro has travelled from the bairros of Lisbon to a global audience. DJ Mag's Anna Cafolla meets...

The Portuguese word ‘desenrascanço’ doesn’t have a direct English translation, but it can be roughly described as an ability to untangle oneself from a difficult...

Salute looking straight at the camera. They are wearing a multi-coloured fluffy sweater and leaning with their hands placed on a pool table
Cover Features
salute: push the system

Vienna-born, Manchester-based salute’s DJ sets and productions shine at the intersection of garage, French house and ‘80s synth styles. Ahead of the release of their star-studded debut album on Ninja Tune, they tell Kamila Rymajdo about their musical upbringing, flying the flag for Black artistry, and their joyful sound that, simply, makes people feel good

salute is thinking about their legacy. “I want to make music not just for the sake of making music, I want to do it because...