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The Sound Of: Critical Music

As the underground drum & bass label celebrates its 20th anniversary, Critical Music founder Kasra records a breakneck mix of tracks from its catalogue, and chats to Jake Hirst about the imprint’s history and constant evolution

“I started the label as a hobby and didn’t know where it would take me. So when I look back and think about everything we’ve...

Tali by Jamie Lees

Tali was the first female drum & bass MC to feature on DJ Mag’s cover in 2004, coinciding with the release of her debut album ‘Lyric On My Lip’ on Full Cycle. Nearly 18 years on from that trailblazing release, Jake Hirst connects with the artist to discuss her self-produced eighth studio album, ‘Future Dwellers’, and the journey of self-worth that lead to it

“I was so busy and stressed back then, but I was having the time of my life,” Tali says, sitting back in her chair with...

Plastikman album cover

Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork

When first encountering ‘Consumed,’ Richie Hawtin’s third studio album under the Plastikman name, a normal reaction might be like that of the prehistoric hominids in...

Gonzo's

With its on-the-pulse line-ups, great sound and inclusive atmosphere, Gonzo's Two Room is making Norwich a dance music destination. Here Ben Murphy heads to the club, and chats to its team, to learn what makes it so special

It’s one in the morning and a capacity club crowd is bristling with excitement. The rammed dancefloor is a diverse mix of ethnicities, genders and...

Recognise: Analog Soul

Two decades since they realised their destinies lay in music and DJing, NYC-based twins, Analog Soul, demonstrate their expansive and funk-filled sound for the Recognise mix series, and share their journey with Ria Hylton

Some 20 years ago, Jacky Sommer switched US coasts and headed east to New York. The Oakland native had just scooped a highly sought-after spot...

Jeshi

East London’s Jeshi documents personal struggles, social contradictions and life’s day-to-day mundanities with a wry wit and relatable appeal. For this month’s Meet the MC, Rahel Aklilu speaks to him about the observational songwriting of his debut album, ‘Universal Credit’

"This is less of a big, brash political statement, which you’d expect because of the title, but rather a collection of observations from a man...

Lady of the House launches record label with production competition

Jaguar, Charlie Tee, Sam Divine and Becky Hill will A&R the label’s first releases

Lady of the House has launched a new record label. Announced by the platform’s co-founder, Laila Mckenzie, at this year’s Brighton Music Conference, A&R for...

Stay True Sounds logo on a pink background

South Africa’s biggest independent label is taking house music to new heights and changing the lives of local artists in the process. Alongside a mix of tracks from its catalogue, founder Kid Fonque speaks to Kitty Amor about the rise and rise of Stay True Sounds

Over the past six years, three words have come to dominate any conversation about South African electronic music: Stay True Sounds. Recognised as the biggest...

DRS performing live

With a career spanning 30 years, more than 400 tracks to his name and a history hosting the biggest stages, DRS recently embarked on a new, ground-breaking chapter with his headline live show tour: The Man Who Fell To Earth. Jake Hirst hears the story behind a project representing something much greater than music for DRS

A Thursday night drum & bass gig in Bristol is standard these days, considering its reputation as a home for d&b. But this event is...

On Cue: Perel

NYC/Berlin-based DJ, producer and vocalist Perel records a mix of wavy nu disco, thumping house and Italo for the On Cue series, and speaks to Katherine Rodgers about regaining her confidence after a debilitating label experience, and her bold and irreverent new album, ‘Jesus Was An Alien’

With her bright, exuberant personality and predilection for infectious dance music polished to a pop sheen, you’d be forgiven for thinking of German DJ and...

Recognise: Ploy

Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test

In February 2020, Ploy shared a bill with Batu and Loraine James, celebrating five years of Batu’s label, Timedance. Playing the closing hours of the...

QRTR press shot

On her new album, ‘infina ad nausea’, Brooklyn's QRTR blends multi-layered melodies with club-ready beats, from house and techno to UKG and jungle. Ahead of her set at DJ Mag's Miami Pool Party this week, she chats to Ben Murphy about her distinctively trippy sound, her famous feline friend, ambientkitty, and the busy festival season ahead of her

“I feel very comfortable drawing from a lot of different influences, and don’t feel like I need to box myself into something necessarily,” says Meagan...

On Cue: Chrissy

San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’

Does rave need a do-over? Three decades on, some of the movement’s most ardent believers have become its fiercest critics. 
“Our scene has failed to...

Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

Daniel Avery in black and white looking at the camera in a big fur coat, white shirt and black tie

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall

It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...