How much credit can you give a tool for creating art? Surely it's like praising the paintbrush for a great painting, or the typewriter for...
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How an adult version of Tetris kickstarted multiple musical revolutions
DJ Fresh has had a life of vertiginous highs and crushing lows — from his time in drum & bass supergroup Bad Company, to having No.1...
DJ Fresh still vividly remembers where he was the moment he knew his health was in trouble. “I was sitting in traffic on the Hammersmith flyover, driving home from the...
They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...
A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...
An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations
Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...
S'Express 'Theme From S'Express' (Rhythm King)
Mark Moore grew up in London and got into music at a young age. After his mother, who uprooted from South Korea after the Korean...
The Prodigy have defined a movement, a generation. Their new album is out today
“I think we should be a British institution. Everyone goes on about all of these other people from the '90s like Blur and Oasis, but...
The creepy synth sounds of horror movie soundtracks by Goblin, Fabio Frizzi and John Carpenter have proven hugely influential on modern electronic music. DJ Mag...
But whilst these cheap horror films with their copious sex and violence might not have brought about the nation’s moral decay, they have wormed their...
The Dutchman cuts through the crap and criticisms and discusses the EDM boom, the concept of selling out and gives us an insight into his...
Multi-platinum selling producer, DJ to tens of thousands every week and EDM figurehead: Afrojack is undeniably one of global dance music’s biggest names. In a refreshingly frank interview, the Dutchman cuts through the crap and criticisms and discusses the EDM boom, the concept of selling out and gives us an insight into his upcoming album...
Crossing between electronic music and the arts, Sonar is regarded as one of the best festivals on the planet. Taking place 19th – 21st June...
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1. Sonar was created by three people - Sergio Caballero, Ricard Robles and Enric Palau. Sergio and Enric were musicians in a band called...
Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds
With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music
South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
The latest and greatest DJs and producers rising to the top this month. From hyperactive gabber and intricate breakbeat science to thundering techno and gentle...