In November 1994, London pirate station Kool FM celebrated its third birthday at the Astoria. The party caused havoc on Tottenham Court Road when thousands...
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Josey Rebelle is a reluctant cover star. The North London DJ's career has been a real slow burn, building a loyal UK fanbase through her Rinse...
Oakland-based producer and DJ Russell E.L. Butler delivers 60 minutes of exhilarating techno and radiant rhythms as part of our podcast series. We catch up...
Russell E.L. Butler’s artistic process is built on community. Based in Oakland since 2009, the Bermudian producer, DJ and live musician has become an increasingly...
From more inclusive dancefloors to world-confronting techno festivals, DJ Mag’s Anna Cafolla speaks to the collectives, crews, and scene stalwarts pushing Poland as a radical clubber’s...
Alive and kicking
Ableton’s award-winning software is now up to version 9, but will it still stand up against its uber slick production rivals? DJ Mag sneak a crafty peek...
The latest version of the popular DJ software makes bold claims around stem separation. But does it actually work?
Detroit-born, Atlanta-based Ash Lauryn is a digger in the truest sense, repping a soulful, classic house sound in her sets and helping preserve and bring back to the fore the Black roots of electronic music through her Underground & Black project. She speaks to Ria Hylton about discovering her passion and making the most of opportunities
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”
Our festival guide looks to Europe...
Apple's new M1 chip has promised a lot with some eyebrow-raising early performance reviews. But how does it fare for the DJ / producer? DJ...
Award-winning radio presenter and proponent of the diversity-focused Radio Silence movement, Kay-Lee Golding, explores the lack of Black representation in mainstream UK radio
Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit
Releasing both hidden gems from the old school and essential new-gen bangers, Deep Jungle has secured a reputation for buy-on-sight junglism. Alongside a mix representing the past, present and future of its catalogue, founder Harmony shares the secret of the label’s success with Ben Hindle
If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge