Deep in the vaults of the San Francisco GLBT Historical Society and Museum Archives, a modest wooden crate glows with the importance of a sacred...
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Results for: Best of 2017
The high-energy drum & bass sub-genre is back... and in a very big way!
Jump-up — the bouncy, bassline-led strain of drum & bass — seems bigger than ever right now. DJ Mag talks to the leading playaz in...
With sizzling electro, crunching breakbreats, frenzied footwork and much more in between, Nikki Nair records a jaw dropping productions mix for the Recognise series, and...
The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...
Duke Dumont, whose new single 'The Giver (Reprise)' is out this month, is at home trying to get some music done when DJ Mag calls...
Is it true that your first official release was a remix for Wall of Sound?
“Yeah, my first ever legit music industry-related release was a...
DJ Mag Tech reviews the AIAIAI TMA-2 Wireless+, which sees the headphone giant team up with Richie Hawtin to deliver the “world’s first” dedicated wireless...
The latest and greatest DJs and producers rising to the top this month. From quaking dubstep and tripped-out rap, to healing house, R&B and beyond, here’s February 2024’s list of upcoming talent you should be keeping track of
Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability
The fifth edition of London’s al fresco dance music festival took place in a sunny Peckham Rye Park this month. With a vast line-up celebrating local and international DJs and live acts, there was something for everyone on the bill. DJ Mag's Liam Smith reports back on festivities, and the sense that summer has well and truly arrived
A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing
Allen & Heath add a new dimension to the DJing market by introducing another DB series mixer to the fold
When hardware masters Allen & Heath dropped the DB4 last year it raised some eyebrows in the DJ community. Often heralded by DJs and audiophiles...
Can Numark’s N4 controller deliver a welcome surprise and bring pro control to the entry level market?
Numark’s N4 controller is a slightly strange bit of kit as it brings four-deck control, as well as a host of high-end features, to a...
Wacom’s Nextbeat 1000 all-in-one DJing device is out to totally transform how DJs work the crowd. But will it please, or is it just a...
Wacom are not your usual DJ kit manufacturer. In fact they are one of the leading lights in the computer tablet and touchpad market so...
Marking the release of their debut album, we speak to Robin Stewart from beloved Bristol techno punk duo, Giant Swan, about how their live show works...
Last weekend, AVA festival returned to Belfast. Despite venue closures and ongoing restrictions across Northern Ireland, the event went ahead outdoors in a brand new...
To mark the release of his new LP 'Will' on Smalltown Supersound, DJ Mag catches up with UK producer Matt Karmil to talk ambience, influence...
Music has been saving Matt Karmil’s life since he was a child. Spending much of his early adolescence debilitated by illness – which would later...