Musicians in the UK are to be offered protections and “transparency” around streaming royalties under a new code published today (31st January). Created by the...
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Opinion
Greeted with both derision and delight from the outset, the cartoonish covers and soundtrack of happy hardcore’s defining, and to some damning, Bonkers series were...
“Bonkers, light in the head; slightly drunk. Perhaps from bonk, a blow or punch on the bonce or head.” It's a word whose origins come...
Another month, another essential selection...
It's not that we didn't have an awesome time in January, but, let's face it, a year only ever gets better once the first...
Features
Hooversound is the burgeoning UK club label run by SHERELLE and NAINA. As the much-hyped imprint celebrates its first release, prepares for the future, and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
News
The Association of Independent Music (AIM) have called the voluntary code “a milestone”
Features
From DIY imprints putting out 160bpm club bangers, forward-thinking electro cuts, twisted acid and rave sounds, through to big room techno's brightest stars launching...
You won't need reminding that, for five days during October, Holland's capital is a swarming hive of clubbing activity — even more so than during...
From bicep-flexing big-room monoliths to achingly cool cats of underground fame, Amsterdam Dance Event has it all and everything in-between. With the many workshops, panel...
The London duo have broken their silence with ‘Junto,’ their seventh album, and are bringing the dance back to the dancefloor...
Simon Ratcliffe is attempting to cook tofu stir-fry for dinner at his home in London when we get a hold of him, via a fuzzy...
Features
With her supercharged rave productions and hybrid sets that pack in everything from breakbeat hardcore and donk to footwork jungle and techno, Yazzus embodies everything...
Features
The Bristolian bass merchant speaks out on his late success, and his plans for the Miami 2013!
The last 18 months have seen Bristol’s Eats Everything seemingly come from nowhere to land international success as a DJ and release a string of well-received productions on top labels such as Dirtybird and Pets Recordings. As he prepares to play at one of DJ Mag’s renowned Miami parties at WMC, he talks candidly about Transatlantic crowd-pleasing, his upcoming raft of collaborations and how his success has, in truth, been anything but overnight...
Features
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
Cover Features
Don Diablo, or as he’s affectionately known in the DJ Mag North America office, Big Don, is an all-round entrepreneur. Though the Dutchman has been...
In East Amsterdam, tucked away on what seems like a sleepy street (though that may just be due to the icy weather), lies the home...
Dub’s influence on dance music stretches back from the earliest shoots of acid house...
“When it comes to music, it’s a small world,” says dub maestro Mad Professor, fresh from a month-long tour of Australia.
“Just take that tune...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Pumping out chart-topping dance anthems since he was 19, Alesso solidifies his headlining stature with debut album ‘Forever’. Now 23, the mega-producer discusses his evolving...
Here’s a fun fact: the peak of the northernmost cliff in Europe, Kebnekaise MoHuntain in Alesso’s native Sweden, has the highest fixed point in the...