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Results for: Bob Moses

Huxley talks longevity, collaborations and steering clear of the pop-dance route...

The last few years have seen seismic shifts in dance music culture. Large swathes of the scene seem to have abandoned their heady underground ideals...

The latest and greatest DJs and producers rising to the top this month. From bass-powered techno, breaks and electro to digicore and synth-scored house, here's...

Recording a handful of live-streamed sets — including appearances on Beatport Selects and HÖR Radio — AUCO brought the flavours of UK jungle, footwork, dubstep...

Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...

As 2019 drew to a close, Loraine James found herself at a crossroads. Buoyed by the success of her breakthrough album for Hyperdub, ‘For You...

Paranoid London’s acid reign

Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach

It’s a dark, wintery evening in far North London and Paranoid London are in full flow at DRUMSHEDS, London’s latest super-venue. Opened on a former...

Black and white image of a graffiti'd wall that reads "Kitchen Top Floor"

In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape

Welcome to Hulme Crescents, Manchester, an inner-city public housing experiment that, in the ’80s, became an amphitheatre of chaos and creativity. In this estate, acid...

When it comes to San Proper, eccentric doesn’t quite cover it. Rush Hour’s most madcap selector, he’s known for raw, genre-defying productions, unpredictable sets and...

"Hello and welcome to Amsterdam. This is Dr. Professor San Proper. This is my home and I was born here in 1977." Somewhere in the...

Queen of UK urban dance, Ms Dynamite is back with a massive live date at London'??s SW4 Festival and an arsenal of club tunes that...

Ms Dynamite is excited. She’s just finished the DJmag cover shoot and is about to film the video for her brand new single ‘Wot U...

Buzzin' hardcore classic 'Bus It' by Blapps Posse was a riotous, sampladelic mish-mash of hip-house and rave. DJ Mag talks to its key originators, Aston...

We talk the top selectors we're rooting for this month.

Justin Jay

With the support of Claude VonStroke, Annie Mac and Pete Tong, it doesn't take a meteorologist to tell you this guy is kicking...

Bring the revolution! Stanton’s SCS 4DJ is an all-in-one funbox for the digital DJ

The Stanton SCS 4DJ got me excited when I was shown a pre-production model at Frankfurt earlier in the year. In fact, I was pretty...

Swedish DJ/producer Axel Boman's name crops up on all the best festival and club line-ups, DJ set lists and label discographies. His imaginative, freaky tunes...

Axel Boman is “trying out a new look”. He’s wearing an all black turtle-neck jumper and floppy black cricket cap, but he’s not sure it’s...

For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...

By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...

The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...

Even if you’ve never consciously set out to listen to ‘What They Say’ by Maya Jane Coles, you’ve almost certainly heard it before. Over the...

DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...

Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...

Native Instruments’ Maschine+ is an ambitious project; remodelling the popular hardware and software groovebox combo to operate as a standalone production unit. DJ Mag's Digital...

When Native Instruments first released Maschine, it was attempting to fill a gap. Computers had become powerful enough to supersede hardware-packed studios that came before...