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The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...

“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...

He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’

The collar that Martin Joseph Léonard Bresso dons while performing on stage as Tchami is a meaningful accessory. It is symbolic of the spirituality he’s...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...

In late 2015, the animated TV series South Park aired an episode called ‘Safe Space’. The phrase had been used in activist communities since the...

One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...

Seth Troxler’s reputation is such that he’s on first-name basis with the whole of electronic music. He’s put himself out there — often literally —...

DJ Mag visits French producer Madeon in his LA home to learn about his meticulous process, and why he’s happiest when he’s working

Standing in Madeon’s living room, it feels like his entire home is floating. The Hollywood Hills house is located at the top of a steep...

Having laid the groundwork last year, here are the five essential acts set to make 2019 their own...

 

KETTAMA (from Galway, Ireland)

Key tunes: 'Body', 'Kilt', 'Raw Cuts'

For fans of: DJ Haus, Mall Grab, Lone

Evan Campbell talks at about a...

Once focused on the techno of Detroit, Joris Voorn’s latter-day productions have conquered his native Holland, Ibiza and the world. While some have accused him...

From a devotee of Detroit to becoming the leading light of the Dutch underground scene, Joris Voorn’s ascent has been as methodical and measured as...

The high-energy drum & bass sub-genre is back... and in a very big way!

Jump-up — the bouncy, bassline-led strain of drum & bass — seems bigger than ever right now. DJ Mag talks to the leading playaz in...

With Marc Romboy, Jules Buckley, Max Richter, Carl Craig and more...

At first glance, we’re led to believe that the worlds of classical and electronic music are galaxies apart. But there are more parallels and crossovers...

We meet the Leeds man in London to talk about hardcore history, subliminal messages and breaking free of genre constrictions — and much more...

Reinvention is a tough gig. But if you get it right, a whole new life is possible. No one in dance music's managed this more...

Swedish DJ/producer Axel Boman's name crops up on all the best festival and club line-ups, DJ set lists and label discographies. His imaginative, freaky tunes...

Axel Boman is “trying out a new look”. He’s wearing an all black turtle-neck jumper and floppy black cricket cap, but he’s not sure it’s...

Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...

In 2017, during his 21st rotation around the sun, DJ Lag was experiencing a moment that every artist dreams of but few ever reach. Gqom...

Counting down the 2010s, we round-up the albums that defined the decade in electronic music

How do you rank a decade’s worth of music? The truth is, you can’t. An album that meant the world to you might make someone...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...