Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...
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South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
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TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...
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From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...
As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...
Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...
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Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...
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Ibiza played a central role in spreading a new take on trance around the turn of the millennium — a more soothing vein of the sound that captures the mood of a Mediterranean sunset. As clubs in Ibiza are opening again for the first time since 2019 due to the Covid-19 pandemic, DJ Mag dives into the roots of a genre that was inspired and shaped by the island’s unique appeal: Balearic trance
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Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...
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After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves
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Jungle pioneer M-Beat made some of the genre’s biggest chart hits, but disappeared from the industry in 1996. Having gone through hardships and been widely...
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Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...
Dubstep figurehead Skream has gone euphoric, smashed the templates, and upped the tempos. His new album ‘Outside The Box’ confirms he’s not content to be...
Remember a few years back? All that hoo-ha about nu-rave? Which sounded so promising but proved to be nothing more than a few indie kids...
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Conducta is helping to spearhead the new wave of UK garage. His on-point productions, genre-traversing DJ sets and Kiwi Rekords label have made him a...
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When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
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From its beginnings in Yorkshire clubs to becoming a nationwide dance music phenomenon and chart success, the bassline sound has survived and thrived, despite the efforts of the police and club licensing authorities. Matt Anniss charts its rise, fall, resurgence and influence on a new generation of DJs, producers and ravers
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It wasn’t their song and they didn’t play any instruments, but Saint Etienne’s Balearic classic ‘Only Love Can Break Your Heart’ caught the tailwind of...