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DJ Mag’s annual Best of North American Awards poll gives our readers the opportunity to show their love to their favorite DJs, producers, labels, clubs...

Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...

The Martinez Brothers: reaching new heights

As they kick off their Tuesday night headline residency at Hï Ibiza, New York natives The Martinez Brothers catch up with DJ Mag Ibiza's Mick Wilson about  their love for the White Isle and their big plans for the coming season

Straight outta the Bronx in New York City, The Martinez Brothers — and yes, they are actually siblings; Stevie is three years older than Chris...

The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...

“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

London underground sign that reads ‘what is the future of London clubbing?’

Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?

It’s an early August afternoon in Tottenham, North London. Nestled on an unassuming industrial estate on Markfield Road, beautiful floor-to-ceiling record shelving is being assembled...

Three decades of Trade: celebrating 30 years of boundary breaking LGBTQ+ raving

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy

It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...

The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...

It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...

Dance music's renaissance man graces the cover of DJ Mag USA...

From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...

Hunee is the fearless DJ with super-eclectic taste. As happy dropping disco, African rarities, vintage Italo, boogie or up-to-the-minute electro, he’s refused to compromise on...

It’s mid-summer 2016 and Jeremy Underground is spinning on the main stage at Farr Festival in Bygrave Woods. High above the packed crowd in front...

Andy C explains how he's always kept the faith with drum & bass...

“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...

Reinier Zonneveld: live and direct

Before headlining international festivals with his immense live techno sets, Reinier Zonneveld cut his teeth on the Dutch underground rave circuit. Megan Venzin catches up with the artist to learn about his approach to performance, and why his fans can always expect the unexpected

It’s been a while since Reinier Zonneveld had to outsmart the cops. Nowadays, when the Dutch producer arrives at an event, it’s because he’s guaranteed...

Italo disco’s eternal evolution

Italo disco is everywhere again. But what does Italo even mean today, and is it at risk of being diluted into a catch-all term for anything with an '80s disco sparkle? Joe Roberts dives into the genre's history, and chats to some of its new devotees and longstanding champions about its ever-evolving sound

It now sounds like a DJ mix of the most widely-known Italo disco classics, but when it was released in 1999, I-F’s ‘Mixed Up In...

The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...

Nilaari (meaning self-worth or value) is a Black, Asian and Minority Ethnic (BAME) community-based charity, delivering culturally appropriate counselling, social care support, advice and advocacy...

Known for his work with RÜFÜS DU SOL, Broods, Hayden James and others, Grammy-nominated producer, mixer, and DJ Cassian is proof that if you build...

In Australia, there’s a phrase commonly used to describe people who “cut down” the overachievers in their midst due to their own insecurities. Those who...