Techno maestro Stephan Bodzin has been tearing up festivals and clubs with his live show since 2005. His contagious energy paired with his custom setup...
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Hackney-based Nervous Horizon has established itself as one of the most exciting and forward-thinking club labels in London. For this month’s The Sound Of, two...
The latest and greatest DJs and producers rising to the top this month. From hammering techno to trippy deep house, here's April 2019's list of...
The classically educated German producer breaks down his tech setup and approach to performance
Glasgow's EzUp resident Jay Celino moves seamlessly from house and breaks into techno and electro in his Fresh Kicks mix, and speaks to Amy Fielding about...
Korg unleash the KAOSS DJ controller beast on an unsuspecting public...
Korg is a name best known for producing some of the best synthesisers that have ever been made. Almost every producer who grew up in...
Nine artists old and new that have been making a lot of noise recently...
EVA GEIST
Morphic resonance theory...
Influenced by the divine spirits, lost paradise and nomadism, all roads for Italian-born Eva Geist have led to Berlin to...
With a new era of open-air daytime parties and adventurous bookings, Ushuaïa and Hï Ibiza founder Yann Pissenem has helped transform Ibiza with a constant...
Like many successful entrepreneurs, much of Yann Pissenem’s success lies in his ability to see opportunities, and capitalise on them. The Ushuaïa founder got his...
Leftroom boss Matt Tolfrey on taking his album on the road
Leftroom may be over five years old now, serving as a sturdy source of techno and stripped back house during the latter part of the...
Tokyo’s Shinichiro Yokota is one of the great unsung heroes of house music, though thanks to a particular YouTube video and a new Sound Of...
Dutch DJ/ producer Fedde Le Grand's tips for ADE
He might be best known for putting his “hands up for Detroit” but Dutch producer Fedde Le Grand also holds a torch aloft for Amsterdam...
Though a clear reflection of his taste in music, Newcastle’s Me Me Me label isn’t all about its founder, Man Power. Alongside a mix from its hard-to-define and easy-to-love catalogue, the DJ and producer tells Kristan J Caryl about the imprint’s focus on bringing artists together
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, São Paulo’s BADSISTA...
Who are the most exciting Ram acts now? We delve deeper into the world of Ram...
WILKINSON
29,200 Twitter followers, 126,569 Facebook fans and charting at No.8 in the UK Official Top 40, Wilkinson is big news, but it hasn't always...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today