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Alison Wonderland is on the verge of releasing her sophomore studio album, ‘Awake’, after an incredible 2017 that saw her debut at No. 89 on...

Alison Wonderland is serenading DJ Mag over the phone. We’re comparing tattoos, and this author only has one – a waveform from Modjo’s 2001 hit...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

The unstoppable Swedish House Mafia - Axwell, Sebastian Ingrosso and Steve Angello - bring their power-house to their new Ibiza residency. And right now it...

Ibiza, Pacha, 4am, and a night that’s already hit dozens of precipitous highs is launching itself upwards to its dizziest high yet. The dancefloor is...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...

Bickering over genre definitions is a time-honoured tradition in dance music. One of the weirder etymological developments of recent years is the changing meaning of...

Inside the UK Afro house renaissance

The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity

Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...

Techno would not exist as it does today without Kevin Saunderson. Some of the Detroit techno architect’s most revolutionary work has been released under the...

Techno is the language of machines speaking to each other, the vocabulary of shiny circuitry, the sound of the future in the here-and-now. But when...

The raucous rhythms of Jersey club have been everywhere lately, and UNIIQU3, aka the Jersey Club Queen, is one of the main reasons why. Bruce...

The voice on the other end of the phone is murmuring gentle orders: “Black, please. Middle strip rainbow. Yeah, like that.” A few seconds pass...

Aluna George DJ Mag North America April 2022 cover

Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival

"I perhaps could have been a bit more cautious,” Aluna Francis — sitting in her downtown LA home, sunglasses perched upon her braided blue coif...