“Who even writes a bloody dance tune called ‘Lazy’?” laughs Ashley Beedle. Fellow X-Press 2 founders Rocky and Diesel chime in with the chuckles, as...
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The tunes that ruled 2016...
Thank god for Shazam, eh? Gone are the days of hearing a killer tune and painstakingly searching for it. Singing a hook to a bemused-looking...
A catch up with DJ EASE...
Master beatsmith George Evelyn, aka DJ EASE, is a modern day production whiz. Like a latter day Quincy Jones, he's seen more musical...
The seminal tracks that altered dance forever!
In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
Features
Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit
The seminal tracks that changed dance music forever
Layo & Bushwacka! were a popular tech house duo before Millennium time, but after they released ‘Love Story’ in 2002 they totally went supernova. They met at the legendary central London nightclub The End, where Bushwacka!, aka Matthew Benjamin, was a resident DJ and Layo Paskin was co-owner (with Mr C).
Celebrating twenty years at Radio 1
It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...
Features
In the lead up to St. Patrick's Day, DJ Mag profiles some of Ireland's finest underground talents...
Draconian licensing laws and well-documented club closures aside...
The German producer reflects on his plight to becoming the in-demand DJ he is today and the importance of keeping true to what he most...
“Actually, this is one of my most productive years so far.” Thomas Gold smiles broadly into the camera, his face framed by simple, black-rimmed...
Features
Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2020
Features
Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced
News
The awards ceremony took place in Amsterdam on Saturday (19th October)
Andy C has claimed the Highest Drum & Bass award once again in this year’s DJ Mag Top 100 DJs poll - climbing 11 spots...
On the eve of the label's 100th release, we talk to Romboy about turning his back on the mainstream and returning to his roots, his...
Marc Romboy is one of the most prolific and diverse DJ/producers around. From his early '90s house beginnings through a spell in pop music and...
Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.