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Chronically underrated as an established British voice, Tricky’s outstanding new autobiography, Hell Is Round The Corner, readdresses his magnitude

Tricky wants to sit outside in Kings Cross, London. It’s blazing hot and he’s wearing a purple singlet, because he can. He trains a lot...

Dave 1 and P-Thugg, better known as the sapid duo Chromeo, are about to release their most zestfully slick album to date, ‘Head Over Heels’...

Experiencing Chromeo is like taking a step back in time—but with all the luxuries and comforts of today. It’s in the duo’s music, which takes...

We pick the brains of the Berlin-based tech producer, TJ Hertz...

Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...

The sharp-tongued, genre defying, Asaf Borgore isn’t a “PC” social figure. However, we find out that what’s really on Borgore’s political agenda is to spread...

This guy must be an imposter. The laidback gentleman posing for the camera during his DJ Mag USA photo shoot in New York City can’t...

With a host of monikers and diverse productions to his name, DJ Pierre has driven the development of dance and is still at the forefront...

Phuture, Pfantasia, Phantasy Club, Photon Inc, Audio Clash, Darkman, Doomsday, P-Ditty, The Don… all past aliases for Nathaniel Pierre Jones, better known as DJ Pierre, the man credited with kickstarting a movement in 1987 with ‘Acid Tracks'.
Although a seismic claim to fame, this happened over a quarter century ago, most recently reactivated on Terry Farley's monumental 'Acid Rain' box-set. But, since then, Pierre has continued to chart one of the most idiosyncratic paths in house music, undyingly committed to developing new sonic mutants to send crowds bananas on his punishing schedule of globe-trotting DJ gigs.

The centre of the clubbing universe, for such a little minx Ibiza certainly packs a lot of entertainment into its 571 square kilometers. Clubs, cave...


1. You can't leave Ibiza without losing your marbles at least once in Space and there's no better time or place than with We Love...

The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...

September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...

Ahead of Paper Recordings' new doc, Northern Disco Lights...

Birthed in Bergen in the '90s, the quirky, elusively pinned down sound of Norwegian/Scandi/nu/cosmic disco — or whatever you call it — is a difficult...

They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...

A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...

Disclosure covers DJ Mag USA... 

Howard and Guy Lawrence, the Disclosure brothers, show up for their promotional appearances the way you would for a job interview: professional and prepared. Fresh-faced...

An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations 

Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...

S'Express 'Theme From S'Express' (Rhythm King)

Mark Moore grew up in London and got into music at a young age. After his mother, who uprooted from South Korea after the Korean...

Dillon Francis steps further into the spotlight with the release of his debut album, 'Money Sucks, Friends Rule'...

It’s the cusp of fall in Los Angeles, and one of the hottest days of the year. The air is thick and heavy; its weight...

It's not just the Football that's putting Brazil in the spotlight...

“Brazil is having a bit of a moment,” says Flow, the female half of the Rio-based girlfriend-and-boyfriend house DJ/production duo Flow & Zeo.
“Something exciting...

The cover of New Order's Technique on a light blue background

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

If you want to understand British music’s generational leap from punk to acid house, there is no better lead than New Order’s ‘Technique’. Released on...