Successful artists often point to intuition as their guiding force. But developing a positive relationship with an inner dialogue is something that takes practice, patience...
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Cover Features
The California-raised producer Channel Tres is a natural born trailblazer. As the name behind Compton House, he’s found admirers for his self-coined genre within funk, hip-hop and pop audiences. In his forthcoming album ‘Head Rush’, he’s expanding upon that diverse aesthetic by tapping into his divine intuition to tell his life story and introduce the world to new depths of his musicality
Features
From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
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As they kick off their Tuesday night headline residency at Hï Ibiza, New York natives The Martinez Brothers catch up with DJ Mag Ibiza's Mick Wilson about their love for the White Isle and their big plans for the coming season
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The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...
Features
The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...
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Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
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Having laid the groundwork last year, here are the five essential acts set to make 2019 their own...
KETTAMA (from Galway, Ireland)
Key tunes: 'Body', 'Kilt', 'Raw Cuts'
For fans of: DJ Haus, Mall Grab, Lone
Evan Campbell talks at about a...
Cover Features
After years of devotion to New York's club scene, Detroit-born Lauren Flax is more passionate than ever, with acid techno tracks to be perfected, causes to be fought, and lives to be saved through her harm reduction initiative. This month, she shares her journey with Bruce Tantum
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Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced
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Japan is producing some of the world’s most vital techno, though its roots go way back to the late 1970s. We talk to some of...
Since the end of World War II, Western culture has loomed large over everyday life in Japan. The decades since have brought about a wide...
Tracing the journey of the d&b kid from the Midlands...
Goldie is back with an amazing new album. And not just any old album either. Hugely ambitious in breadth and scope, 'The Journey Man' is...
Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone.
Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...
Dance music's renaissance man graces the cover of DJ Mag USA...
From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...
With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...
To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today