Los Angeles’ ESP Institute has delivered over 120 releases since its inception 14 years ago – an impressive feat for a label that remains fiercely...
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Plus free download of 'Live On Cubism 2'
With a new member in the family and the second instalment of his 'Cubism Live' series now available as a free download on our Soundcloud, we phoned Saytek for a chat...
For two decades dBridge has been crafting next-level drum & bass, as part of Bad Company, solo, with his label Exit and fellow zeitgeist surfers...
He's made house, electro, techno, done it all, but it's still breakbeat culture he returns to time and time again...
Why are masks so popular in dance music?
“All great things must first wear terrifying and monstrous masks, in order to inscribe themselves on the hearts of humanity.” FRIEDRICH NIETZSCHE, Beyond Good and Evil...
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Sully celebrates the infinite potential of the breakbeat in his thrilling On Cue mix, and chats to Oskar Jeff about his new release on 2...
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Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
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In DJ Mag's April charts, four artists a select their top 10 tracks of the month, spanning crazy hip-hop mashups, jungle pressure, propulsive house bangers...
A staple of Bristol’s hybrid bass/techno scene, Hodge has begun to branch out in recent years, resulting in a stunning debut album, ‘Shadows In Blue’...
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Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
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Ben Cardew looks back at how Louie Vega and Kenny “Dope” Gonzalez’s rapturous 1997 homage to their musical roots
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Amapiano has become a world-conquering genre since emerging in South Africa over a decade ago, with the sound mutating in recent years to solidify its place as an embedded dance music culture. Here, Shiba Melissa Mazaza asks: who are the South African artists carrying the torch for amapiano right now?
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In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
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Over the past 10 years, DJing has undergone seismic transformations in technology and process. New styles of DJing have emerged, and some have had huge...
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Stanton Warriors are the UK breaks and bass duo who've fought fiercely to push their genre-blending sound for more than two decades. And with a...
HudMo turns up the spotlight on his solo album, ‘Lantern’...
Hudson Mohawke is biting his tongue. Not literally, although it’d be difficult to tell via the phone through which he’s speaking as he runs errands...