If you look in the ‘about’ section on Norma Jean Bell’s Facebook page, it says, simply, “I’m the baddest bitch in this room...” It's a...
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Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”
Pirate Studios has given thousands of young producers and musicians affordable access to recording and DJ studios, encouraging collaborations, community and creativity. As an uncertain...
The latest and greatest DJs and producers rising to the top this month. From soulful house and industrial techno to razor sharp rhythms and organ...
We go behind the scenes of Laurence Guy's live show, set-up and performance approach
We trip to Montañita to party with Ecuadorian dance fans...
After a long KLM flight from Amsterdam, we arrive at Guayaquil Airport and immediately catch up with Mr C and his partner Xo Chic. It...
We travel to Ecuador for a DJ Mag party at Lost Beach in Montañita, and find that — like with the Lost TV series after which...
After a long KLM flight from Amsterdam, we arrive at Guayaquil Airport and immediately catch up with Mr C and his partner Xo Chic. It...
Swiss DJ/producer Deetron has been a fixture of the world's coolest clubs and labels for years. But with a reputation for deadly, wide-ranging DJ sets...
Sam Geiser has had quite a year. After a decade-and-a-half slowly building from the ground up, now everyone wants a piece. Luckily, he's the kind...
Queen of UK urban dance, Ms Dynamite is back with a massive live date at London'??s SW4 Festival and an arsenal of club tunes that...
Ms Dynamite is excited. She’s just finished the DJmag cover shoot and is about to film the video for her brand new single ‘Wot U...
Dedicated to breaking down cultural binaries and taking on the music industry juggernaut, SOPHIE has obliterated the lines between underground dance music and commerical pop...
Hit-maker, label boss, global tastemaker and five-time winner of the Top 100 DJs, Armin van Buuren is a certified legend of electronic music. Having risen...
Armin van Buuren doesn’t really do interviews anymore. He’s reached the upper echelons of his chosen career, and doesn’t really need to. The “trance overlord,”...
DJ Mag charts the history of the Aus dance scene, and why the future looks bright...
Shrimps on the barbie, Crocodile Dundee, Bondi Beach, Steve Irwin, Kylie Minogue, the Sydney Opera House; Australia has always touted — for better or worse...
Brooklyn, NYC duo Wolf + Lamb aren't just a DJ/production outfit. They're a movement, a label, a club, and extended family of like-minded artists, offering...
Few artists inspire a devotion bordering on the religious. But the gospel according to Wolf + Lamb has already spread far and wide, their near...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”