Every human on Earth possesses a history. The version of you who lived yesterday informed the one who breathes today, and the one to emerge...
Search
Results for: Cover Star
During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
Spiral Tribe were ‘90s Britain’s hardest hardcore techno crew – a travelling party troupe of anti-authoritarian acid-adventurers, and a scourge of the establishment. With co-founder Mark Harrison in the midst of writing a book on their story, and PRSPCT Recordings recently releasing a collection of classic cuts from live Tribe duo R-Zac, Harold Heath dives into their history, legacy and vow to 'Never Stop'
San Fran-based DJ and producer Chrissy outlines his guide for ripping vinyl so they sound full, loud and powerful on a club system. With tips and tricks around needles, preamps, turntables, software and file formats, it's a go-to guide for anyone who wants to digitise their record collection
Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...
A lack of data, information, and will has left electronic music producers lagging way behind their commercial counterparts. DJ Mag outlines how that happened, how...
After the 2014 release of ‘1021,’ London-born, Toronto-raised, and LA-based artist Rochelle Jordan went through years of business and health-related difficulties, finally coming out the other end with last year’s emotion-drenched ‘Play With The Changes.’ A new remix album, featuring brilliant work from DJ Minx, Byron The Aquarius, Machinedrum and other notable acts, lifts Jordan’s theme of rejuvenation into a thrilling new phase
Lifting the vocals from Jah Screechy’s reggae standard 'Walk & Skank’, SL2’s‘On A Ragga Tip’ surfed the hardcore rave wave at the turn of the 1990s before crossing over to bring breakbeats and bass into the pop charts. The track has transcended genres and styles to stand alone as an enduring dance classic. Joe Roberts calls up Slipmatt, aka Matt Nelson — the ’S’ in SL2 — to learn its story
In this month’s Meet The MC, DJ Mag’s Amy Fielding speaks with rising Norwich rapper, Darri T, about his impressive debut album, the importance of honesty in songwriting, and his everlasting love for the UK’s rap scene
From frenetic breaks and jungle to percussive club cuts and pop edits, Bored Lord’s Fresh Kicks mix is an electrified trip into her communal sonic...
Londoner Beatrice Dillon’s electronic experiments and intriguing collaborations have resulted in one of the most eagerly anticipated albums of the year. She talks to DJ...
With an internet following consisting of more people than some small countries, trap duo Flosstradamus create an ultimate HDYNATION manifesto
The depths and channels of the world wide web are staggering, many of its areas have yet to even be truly dredged. For some, the...
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
How an adult version of Tetris kickstarted multiple musical revolutions
Alok is midway through his debut residency this summer — at DJ Mag's Top 100 Clubs winner, Hï Ibiza — after landing his highest place in our Top 100 DJs poll last year at No.4. DJ Mag Ibiza spent some time on the island with the Brazilian DJ/producer to discuss his new Monday night residency, his life on the island, and those magical Ibiza sunsets
DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?