Hands up who’s tired today? How many hours sleep do you get on average? Less than seven, or ideally seven-point-five hours, is considered to be...
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Cover Features
Renowned DJ/producer Tom Middleton, who is now a sleep science coach too, shares his knowledge on how important sleep is to our mental health —...
Features
Science fiction has long been a muse for techno producers, but three acts – Lost Souls Saturn, Mat Playford and A Sagittariun – are taking...
Cover Features
As one half of the duo behind behemoth label and party series Solid Grooves, UK DJ and producer PAWSA has been a quiet but powerful...
Features
As events begin to reschedule dates for 2021, and with some selling out months in advance, the practise of ticket touting is once again an...
Cover Features
The Black Madonna is the real deal. Raised in Kentucky but born in the DJ booth of Chicago's Smartbar, she's unleashed the true spirit of...
It’s a Sunday in 2015 on the third day of UK festival Field Maneuvers, a back to basics ‘dirty little rave’ held in a eld just...
The contribution of women throughout the history of electronic music has been huge, but too often undocumented...
By now the history of electronic music and its journey into clubs, concert venues, stadiums and homes worldwide is a well-established narrative. It’s a story...
No one represents drum & bass quite like DJs Fabio & Grooverider...
Sure, there are other obvious contenders, but Fab and Groove were there right at the beginning. They didn't just sit at the table — they...
Features
After nearly five decades in music, nobody could blame François Kevorkian for taking it easy. But that’s not in the France-born, NYC-based polymath’s DNA. Shortly after celebrating his 70th birthday, Bruce Tantum hears his story, and learns about the curiosity and drive that keeps him going
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Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
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As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
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Psychedelics have become more popular in the UK in recent years, with some people using them recreationally to address mental illnesses. These drugs are illegal, but...
Tracing the journey of the d&b kid from the Midlands...
Goldie is back with an amazing new album. And not just any old album either. Hugely ambitious in breadth and scope, 'The Journey Man' is...
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Introducing the artists set to make waves this year: From Jersey club, Afrotech, and hardcore to UK rap, Brazilian grime, Ghanain asakaa and beyond, these are the DJs, producers and MCs pushing tomorrow’s sounds today
With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...
To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today