There are points in an artist’s career where they feel on top of the world. Moments when the years of hard graft at the unforgiving...
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Features
Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
Features
As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
Features
Psychedelics have become more popular in the UK in recent years, with some people using them recreationally to address mental illnesses. These drugs are illegal, but...
Tracing the journey of the d&b kid from the Midlands...
Goldie is back with an amazing new album. And not just any old album either. Hugely ambitious in breadth and scope, 'The Journey Man' is...
Features
Introducing the artists set to make waves this year: From Jersey club, Afrotech, and hardcore to UK rap, Brazilian grime, Ghanain asakaa and beyond, these are the DJs, producers and MCs pushing tomorrow’s sounds today
With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...
To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
Features
The worlds of computer gaming and electronic music are merging like never before, with virtual raves, AI-generated musicians and concerts inside massive multiplayers like Fortnite...
We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways
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Features
Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...
In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...
Cover Features
During the early part of the pandemic, DJ and producer ZHU went on a road trip with his bandmates, recording his new album in remote...
2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...