It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...
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Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall
South Africa’s biggest independent label is taking house music to new heights and changing the lives of local artists in the process. Alongside a mix of tracks from its catalogue, founder Kid Fonque speaks to Kitty Amor about the rise and rise of Stay True Sounds
With a range of sounds encompassing slo-mo house, gothic EBM, Italo disco and more, and an equally unrestrained art direction, Freeride Millenium is a no-holds-barred expression of love between its founders Jorkes and Daniel Rajcsanyi, aka ParisBöhm, and the queer community they aim to uplift. Alongside a mix of tracks from its catalogue, they share the label’s story
Influenced by emerging electronic techniques and the rave scene, industrial outfit Coil's third album 'Love's Secret Domain' is full of trippy, drug-fuelled dichotomies and collaborations...
Although it features guests like A$AP Rocky, Run The Jewels and Raekwon, the best moments on Danger Mouse and The Roots legend Black Thought's new LP are in its filmic rhymes, woozy psychedelic loops, soul snippets and jazz and blues rhythms. Here, Ben Murphy speaks to them about their long-awaited collaboration
Electronic music's subcultures have been documented by a host of photographers and archivists in the last four decades, and some excellent photobooks have been released...
Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker
Simian Mobile Disco’s Jas Shaw deals in machine-driven techno delicacies, as his recent ‘Exquisite Cops’ solo album demonstrates. But having swapped the urban surroundings of...
In the second instalment of Spice Rack, a new bi-monthly column on underground music from South Asia and its diaspora, Dhruva Balram highlights music released...
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...
We go behind the scenes of Laurence Guy's live show, set-up and performance approach
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A new photography book, Drumz Of The South: The Dubstep Years 2004-2007 captures the early years of dubstep, depicting an important cultural moment in UK musical history. Charlie Bird talks to photographer Georgina Cook about the invention and excitement of the time, the influence of South London, and how that moment is influencing a new generation
Tattooist-turned-rapper TRAPY speaks to Amy Fielding about his favourite Marvel characters, obscure samples, and his reason for anonymity