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Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

The Lost Acid House Membership Cards

A new book collects the most prized of all rave memorabilia: the membership card. Filled with classic design work, it’s a window on a transformative era. Collector and compiler Rob Ford tells DJ Mag about how the project came together, while DJs and designers share their memories of the time

“It’s almost like drug dealing,” laughs Rob Ford, a 52-year-old author and music producer, who spends his evenings meeting strangers in car parks and exchanging...

Maya Jane Coles spreads her artistic wings wider with a new album under the moniker Nocturnal Sunshine...

Maya Jane Coles emerges from the gloom of her hotel lobby like a tiny beacon. She instinctively reaches her slim arms out for a hello...

Black and white image of a graffiti'd wall that reads "Kitchen Top Floor"

In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape

Welcome to Hulme Crescents, Manchester, an inner-city public housing experiment that, in the ’80s, became an amphitheatre of chaos and creativity. In this estate, acid...

Photo of François K on a white background

After nearly five decades in music, nobody could blame François Kevorkian for taking it easy. But that’s not in the France-born, NYC-based polymath’s DNA. Shortly after celebrating his 70th birthday, Bruce Tantum hears his story, and learns about the curiosity and drive that keeps him going

As soon as he sits down for a long conversation with DJ Mag, François Kevorkian, the NYC-based dance-music polymath universally known as François K, brings...

The latest and greatest DJs and producers rising to the top this month. From high-velocity techno and house to psychedelic jazz and d&b, here's March...

Zakia is a DJ with a taste for transcendent sounds. On her Saturday morning NTS radio show, Questing, she draws from a broad selection of...

DJ decks

Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability

“My energy levels have never returned to what they were,” says London-based DJ and broadcaster DEBONAIR. “I don’t have the muscle strength and energy that...

Aluna George DJ Mag North America April 2022 cover

Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival

"I perhaps could have been a bit more cautious,” Aluna Francis — sitting in her downtown LA home, sunglasses perched upon her braided blue coif...

The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...

Deep in the vaults of the San Francisco GLBT Historical Society and Museum Archives, a modest wooden crate glows with the importance of a sacred...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2020

This is the third year we’ve presented the Alternative Top 100 DJs list in association with Beatport. The list is compiled by combining votes in...

Indira Paganotto in a red, white and black jacket

Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family

Few artists have fused the worlds of bright psytrance and booming techno as smoothly as Indira Paganotto. The Spanish producer, DJ and founder of the...

Loyle Carner

Though never afraid to show vulnerability before, Loyle Carner opens himself up more than ever on new album ‘hugo’, shedding the image of UK hip-hop’s perfect ‘nice guy’ to explore his reconnection with his estranged father and his Black heritage, and what it means to become a dad himself

In the summer of 2014, as resurgent grime anthems like ‘German Whip’, ‘Take Time’ and ‘That’s Not Me’ soundtracked a new generation’s joyful block parties...

Billy Nasty shot by Carl Loben

A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing

It’s fitting that DJ Mag meets acid house original, world-class DJ, UK techno trailblazer, mix-CD pioneer and vinyl-devotee Billy Nasty in his record shop The...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

Detroit-raised polymath Jimmy Edgar has always stood out as an artist of out-there brilliance. But since starting Ultramajic, alongside Machinedrum and Pilar Zeta, he’s manifested...

"The universe is all about creativity, it's all about learning, it's all about knowledge," Jimmy Edgar ventures when we sit down to talk about Ultramajic...