Skip to main content

Search


Results for: DJ Mag Sessions

A key artist in UK rap’s second generation, Potter Payper emerged from his most recent stint in prison on a tidal wave of creative energy that...

Potter Payper is lucky to be here. How lucky depends on how deep you probe into the many lives he’s lived. Actually, ‘luck’ probably isn’t...

The latest and greatest DJs and producers rising to the top this month. From found sound turntablism, techno and two-step to experimental soul and glossy...

Albeit fresh to the DJing world — having been behind the decks for just over a year — SORAYA is making an impact within the...

 We celebrate 303 day with some of our favourite acid experts

One of electronic music's most iconic sounds, Roland's original TB-303 is truly a classic bit of kit. Over the years, its been often imitated, rarely...

Photo of François K on a white background

After nearly five decades in music, nobody could blame François Kevorkian for taking it easy. But that’s not in the France-born, NYC-based polymath’s DNA. Shortly after celebrating his 70th birthday, Bruce Tantum hears his story, and learns about the curiosity and drive that keeps him going

As soon as he sits down for a long conversation with DJ Mag, François Kevorkian, the NYC-based dance-music polymath universally known as François K, brings...

With a series of brilliant singles and a starring role on the new Juan MacLean album, Nancy Whang is an accidental dance music star...

“We would have just looked at it as a free trip to someplace cool,” Nancy Whang says on a steamy summer afternoon in New York...

The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...

Nilaari (meaning self-worth or value) is a Black, Asian and Minority Ethnic (BAME) community-based charity, delivering culturally appropriate counselling, social care support, advice and advocacy...

Native Instruments’ Maschine+ is an ambitious project; remodelling the popular hardware and software groovebox combo to operate as a standalone production unit. DJ Mag's Digital...

When Native Instruments first released Maschine, it was attempting to fill a gap. Computers had become powerful enough to supersede hardware-packed studios that came before...

Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...

You’ve been attempting to take a step away from drugs and alcohol, but you have a run of shows coming up where you know you’ll...

Amon Tobin's evolved "Two Fingers" project

Amon Tobin started out experimenting with a double cassette player and ended up piloting the world's most mind-blowing live show.

With her supercharged rave productions and hybrid sets that pack in everything from breakbeat hardcore and donk to footwork jungle and techno, Yazzus embodies everything...

Hudson Mohawke is a mystery. The shy Glasgow-born, LA-dwelling producer and DJ has made boundary-breaking music and worked with superstars, but he scarcely does interviews...

It’s a hot August morning in Los Angeles, and the sun is beating through the open door of Ross Birchard’s home studio. He smiles and...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Ben Cardew looks back at how Louie Vega and Kenny “Dope” Gonzalez’s rapturous 1997 homage to their musical roots

Two decades before Daft Punk rolled back the technological years on ‘Random Access Memories’, another iconic house duo went back to their roots. Kenny “Dope”...

Why was it important to you to develop a live show over just DJing?
"Playing in a live band is something we’ve always done, since we...
At Home With: Danny Daze

Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound

Danny Daze might be known for redefining Miami bass, but an actual bass is not what DJ Mag expects to see when we pull up...