Potter Payper is lucky to be here. How lucky depends on how deep you probe into the many lives he’s lived. Actually, ‘luck’ probably isn’t...
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A key artist in UK rap’s second generation, Potter Payper emerged from his most recent stint in prison on a tidal wave of creative energy that...
The latest and greatest DJs and producers rising to the top this month. From found sound turntablism, techno and two-step to experimental soul and glossy...
We celebrate 303 day with some of our favourite acid experts
After nearly five decades in music, nobody could blame François Kevorkian for taking it easy. But that’s not in the France-born, NYC-based polymath’s DNA. Shortly after celebrating his 70th birthday, Bruce Tantum hears his story, and learns about the curiosity and drive that keeps him going
With a series of brilliant singles and a starring role on the new Juan MacLean album, Nancy Whang is an accidental dance music star...
“We would have just looked at it as a free trip to someplace cool,” Nancy Whang says on a steamy summer afternoon in New York...
The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...
Native Instruments’ Maschine+ is an ambitious project; remodelling the popular hardware and software groovebox combo to operate as a standalone production unit. DJ Mag's Digital...
Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...
Amon Tobin's evolved "Two Fingers" project
Amon Tobin started out experimenting with a double cassette player and ended up piloting the world's most mind-blowing live show.
With her supercharged rave productions and hybrid sets that pack in everything from breakbeat hardcore and donk to footwork jungle and techno, Yazzus embodies everything...
Hudson Mohawke is a mystery. The shy Glasgow-born, LA-dwelling producer and DJ has made boundary-breaking music and worked with superstars, but he scarcely does interviews...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Ben Cardew looks back at how Louie Vega and Kenny “Dope” Gonzalez’s rapturous 1997 homage to their musical roots
"Playing in a live band is something we’ve always done, since we...
Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound