Rochelle Jordan is sitting in her car, the AC whirring in the background. It’s the tail-end of LA’s latest heatwave, and though you wouldn’t know...
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The creative trajectory of Porter Robinson has seen the American producer weave through diverse genres and challenging sounds. DJ Mag chronicles the pivotal moments and...
At age 26, Porter Robinson already stands as one of America’s greatest, most ambitious producers of his generation. From his humble beginnings as a self-taught...
After the 2014 release of ‘1021,’ London-born, Toronto-raised, and LA-based artist Rochelle Jordan went through years of business and health-related difficulties, finally coming out the other end with last year’s emotion-drenched ‘Play With The Changes.’ A new remix album, featuring brilliant work from DJ Minx, Byron The Aquarius, Machinedrum and other notable acts, lifts Jordan’s theme of rejuvenation into a thrilling new phase
Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development
It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
Techno rises in the heart of the Midwest and with it, a bold call to action.
DJ Mag meets Lisa Smith on a winter afternoon in The Black Madonna’s crowded Chicago apartment. A large film crew is staging lighting...
We chat Bicep in light of their We Love Space CD
Bicep boys, Matt McBriar and Andy Ferguson, are childhood friends from Belfast and went to the same school through their teenage years before taking the leap to different universities. They recently mixed the DJ Mag covermount. Out now.
From 25th - 29th July, Vancouver's CURRENT: Feminist Electronic Art Symposium will present a huge range of female and non-binary talent ranging from ferocious techno...
Vancouver’s CURRENT: Feminist Electronic Art Symposium has a simple motto – “Dream of a New Future”. Fundamentally, this five day event has been curated with...
The mini AIRA emulates some iconic Roland drum machines in a small package. But is it a worthy addition to a working studio, or a good first venture into outboard gear? DJ Mag's digital tech editor Declan McGlynn finds out
Chicago footwork artist Heavee steps up for the Recognise mix series, and speaks to Arielle Lana LeJarde about following in the footsteps of their mentor DJ Rashad by releasing an EP on Hyperdub, and how cartoons and video games helped lead him to a life in electronic music
DJ Mag USA speaks with Matrixxman about his debut album ‘Homesick’...
On a brisk spring San Franciscan afternoon, clouds move lazily across the sky with sunshine piercing through as notable techno talent Matrixxman, real name Charles...
The Magic City has a long history of homegrown styles that demand attention. Chief amongst these is Miami bass: a rough and tough blend of electro, hip-hop...
An unanticipated accident turned one figure skater’s dreams upside down, and opened the door to a bass-fueled future the artist now known as Whipped Cream never...
More and more artists and listeners are discovering the benefits of ambient music to our mental health. Here, Manu Ekanayake speaks to artists Meemo Comma, Auntie Flo, CLAIR and KMRU about its therapeutic qualities, and learns how one NHS neuroscientist, James Kilner, is using it to help people with anxiety and depression
Neurodiversity refers to a wide range of neurological conditions including ADHD, autism, dyslexia and Tourette syndrome. After being diagnosed with ADHD and suspected autism earlier this year, DJ Mag writer Harold Heath began to wonder: is there a particularly high number of neurodivergent people in the scene? Here, he embarks on a personal journey to try and understand the relationship between neurodiversity and dance music, and its wider relevance within the scene
Volvox is one of the most exciting names in techno right now, playing uncompromising DJ sets around the world and running the essential Unter events in New...
On entering Room 1 at the former factory building of E1 in East London, one thing is immediately striking. It’s 2am — the clocks have...