DJ, turntablist and producer NikNak approaches the decks differently. The Leeds-based artist’s debut album, ‘Bashi’, released in 2020, found her using turntables to manipulate field...
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Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds
South African house DJ and producer Themba has become a global star in recent years. Alongside a mix of thumping and emotive house for the On Cue series, Kristan J Caryl chats to him about his childhood obsession with collecting music, his ambitious 2021 album ‘Modern Africa Volume 1 (Ekhaya)’, and uplifting African artists around him
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
How an adult version of Tetris kickstarted multiple musical revolutions
We take a look back at the news of 2015 through the prism of the international dance music scene. It's been quite a year!
January is a notoriously slow month in clubland — a time when gym memberships take priority over all-nighters and pennies are scraped together. Many top...
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
From frenetic breaks and jungle to percussive club cuts and pop edits, Bored Lord’s Fresh Kicks mix is an electrified trip into her communal sonic...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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Dance music's renaissance man graces the cover of DJ Mag USA...
From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...
This year’s Whole Festival marked the biggest underground electronic music-focused queer festival on the planet, bringing together LGBTQ+ collectives, artists and ravers from around the globe. Marke Bieschke heads to Germany to find out how Whole has created a world of its own
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
During the pandemic, music tech thrived as the wider music industry fell to its knees. Declan McGlynn explores the possibilities and implications that stemmed the...
One of the world’s great party cities, Berlin is facing up to the COVID-19 pandemic in its own unique way. How are the clubs getting...
As the conversation about how artists can best navigate the streaming economy develops, many musicians and labels are moving towards more independent platforms, selling their...