In 2014, Cakes Da Killa’s uniquely sharp and agile club rap earned him an interview on New York’s premier hip-hop station, Hot 97. He never...
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Cheeky bubblers incoming...
Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...
Benny L’s drum & bass productions have become some of the most coveted in dance music, topping the Beatport charts and released by institutions like...
Patience is a virtue, possess it if you can. It’s a quality that’s seldom, if ever, found in a modern-day drum & bass fan. For...
Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’
The latest and greatest DJs and producers rising to the top this month. From uplifting house and beguiling synths to thunderous techno, here's March’s 2019's...
CHLOËDEES
Stratford’s Chloëdees has been collecting records since her mid- teens, but also film soundtracks. Before then, aged around nine, she already had an interest...
When is a band not a band? We aim to find out...
When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...
Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...
Global club beats, queer femme energy and Pacific Island identity come together in Lady Shaka’s joyful Recognise mix. Ahead of her appearance at Sónar Festival this month, the DJ and interdisciplinary artist speaks to Anna Cafolla about building connections around the world, uplifting her communities, and her Pasifika club sound
The United Kingdom of rave returns
House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...
An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations
Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...
We take a look into what people are calling the 'primitive sound'
There's a fresh sound that's bubbling up from the underground to challenge dull dance and ridiculous stadium rave. Influenced equally by the early stirrings of...
Brooklyn, NYC duo Wolf + Lamb aren't just a DJ/production outfit. They're a movement, a label, a club, and extended family of like-minded artists, offering...
Few artists inspire a devotion bordering on the religious. But the gospel according to Wolf + Lamb has already spread far and wide, their near...
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
The latest and greatest DJs and producers rising to the top this month. From stomping techno and jazzy breaks to experimental reggaetón and melodic house, here's February 2022's list of upcoming talent you should be keeping track of
Derry-born DJ, producer and Céad label boss Or:la has had a remarkable journey so far, from throwing raves in abandoned buildings to playing the world's...
Bob Sinclar has cultivated the image of a French international playboy over the many years.
He's been involved in house music, although in truth he is quite the family man. Now living in LA, he tells DJ Mag here the story of why he chose these tracks for this issue's covermount mix, where he digs for sample sources, and exactly what else he's been up to lately...