Clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our feet as a...
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Results for: Drumz of the South
Krewella explain once and for all why they will always be a sister act.
“I see us as two dirty trolls.” Jahan Yousaf is kicking it with her sister, Yasmine at home in LA. Hailing from Chicago, the Yousaf...
DJ Mag heads to Sweden for their take on Sonar...
Swedish people are cool. It’s no secret that the Swedes have a certain “je ne sais quoi”, a magic that’s spawned everything from furniture empire...
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In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
DJ Mag Ibiza meets the DJ/producer to talk studio secrets, old skool Ibiza, and how to avoid homogeneous DJ sets...
He’s the latest superstar DJ to nab himself a season-long residency at one of Ibiza’s top superclubs, but Maceo Plex isn’t playing by anyone’s rules...
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Under the name Maceo Plex, Cuban-American DJ/producer and label founder Eric Estornel is among the biggest players in electronic music. So why has he resurrected...
When Eric Estornel, now best known as techno titan Maceo Plex, was just three- years-old, things in his native Miami started to change. From April...
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Whether he’s making garage, bassline, tech-house or grime, DJ and producer Preditah’s sound is unmistakable. With his new tunes ‘Glucose’ and ‘Don’t Cry’ making waves...
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On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books
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Black-owned music organisations, radio stations and record labels are helping to create vital platforms for Black producers and DJs who’ve been held back by systemic...
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A decade in the making, Tom Middleton’s new LP as GCOM, ’E2-XO’, on !K7 boasts themes of space exploration, alien communication and utopian “super-habitable”...
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Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2020
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On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
London-born DJ and producer Ross, better known as Rossko, had his first brush with authentic, UK rave sounds younger than most. He was 11 years...
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In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...
We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...
“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”
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Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy
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From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness