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Double O and Mantra stand side by side on a dark, green-light background, Mantra's arm on Dubz shoulder

More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom

It’s early April and nearing 8am at East London nightclub, FOLD. The spirited vocal of DJ Vibes & Wishdokta’s ‘Midsummer Mist’ is cutting its way...

DJ Mag follows the Numbers boss from Glasgow to Glasto to hear about his unstoppable rise....

Jackmaster has hit the big league in recent times. The DJ who started out in Glasgow has now made a name for himself worldwide, yet...

For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...

By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...

Black and white image of a graffiti'd wall that reads "Kitchen Top Floor"

In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape

Welcome to Hulme Crescents, Manchester, an inner-city public housing experiment that, in the ’80s, became an amphitheatre of chaos and creativity. In this estate, acid...

Julia Toppin selects 10 essential documentaries that paint a portrait of 30 years of jungle drum & bass, charting the stories of its origins to...

When compared to other UK dance music genres, the documentary coverage of jungle drum & bass is remarkably thin on the ground, largely limited to...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...

Eighteen months ago, some of Avalon Emerson’s wishes came true. The first was for 2020 to be “the year of prioritising sleep”, during which she...

2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...

Dancefloor trends come and go. Familiar genre tropes, motifs and tempos reinstate themselves as dominant themes in clubs and festivals big and small, while inventive...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

One of the world’s most respected clubs, Berlin’s Tresor, has been at the forefront of underground dance music for three decades. Led by Dimitri Hegemann...

Interfisching in outer space: the Dada yearsDimitri Hegemann wanted to change the world. His ideas were too big for the small village he grew up...

Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...

We need to think about how we document dance music culture. It may seem odd saying this when there are so many magazines, podcasts, and...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

With mental health and wellbeing one of the principal keynote topics at the International Music Summit (IMS) in Ibiza at the end of this month...

Flying high in the music industry can seem idyllic, but is there a price to pay? Coupled with the perceived glamour is a 24/7 lifestyle...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

The worlds of computer gaming and electronic music are merging like never before, with virtual raves, AI-generated musicians and concerts inside massive multiplayers like Fortnite...

What if the next electronic music concert you went to was just... a game? Imagine for a moment: the concert would happen virtually on a...