Last year’s International Music Summit report showed that over one-fifth of British nightclubs closed in the year to December 2018. The tip of a more...
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Results for: East End Dubs
Kasra on ten years of Critical Records
Back in 2002 on a sofa somewhere in North London, the concept of a new label was being brewed in the mind of a young DJ named Kasra, a hazy vision that became a reality after an intoxicated conversation with some colleagues.
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96 Back sprints across a spectrum of styles in his electrifying Recognise mix, and chats to Kamila Rymajdo about his early diet of Actress and post-punk, finding confidence...
Top audio-visual electronic act return with innovative new project
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In response to big room club culture, a number of grass roots promoters, venue managers, artists, and opportunists are seeing success from putting on free...
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New York’s Olive T records an hour of mood-lifting, ceiling-smacking house and techno for the Fresh Kicks series, and chats to Anna Wall about her varied early influences, her The Lot Radio show and her evolving musical output
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Julia Toppin selects 10 essential documentaries that paint a portrait of 30 years of jungle drum & bass, charting the stories of its origins to...
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From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
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Peach Discs co-head Gramrcy mixes high-energy house, techno and percussive club sounds for the Fresh Kicks series, and chats to Eoin Murray about producing dance music that feels wild and fun, and some future plans for the label
Ahead of Paper Recordings' new doc, Northern Disco Lights...
Birthed in Bergen in the '90s, the quirky, elusively pinned down sound of Norwegian/Scandi/nu/cosmic disco — or whatever you call it — is a difficult...
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A FEW WORDS FROM CLAPTONE...
“What time is it and where am I?” These are questions I find myself asking repeatedly lately. Yesterday, I flew...
Borgore's explicit take on dubstep
Surrounding himself with porn stars and strippers, Borgore's explicit take on dubstep has amassed a legion of loyal fans – as well as plenty of controversy. When DJ Mag USA meet him though, rather than entering into a world of debuached parties we find a clued up young artist more concerned with the opinion of his mom...
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South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
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The main room sound of Porter Robinson
Only 20-years-old and already a dance music star, with Top 10 chart hits in the UK, a residency in Las Vegas and US wide tours under his belt, Porter Robinson is the new face of the hugely popular big room electro house sound. But as it turns out, he spurns fame, cringes at the acronym EDM, and draws inspiration from musique concrete to Daft Punk. DJ Mag has a pint with him in a grimy North London boozer to learn more...
MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...
“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.