The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...
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In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks
For New York DJ, artist and label boss Joaquin “Joe” Claussell, music is about spirituality and togetherness. With a new album, ‘Raw Tones’, released this...
Psychedelics have become more popular in the UK in recent years, with some people using them recreationally to address mental illnesses. These drugs are illegal, but...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
The worlds of computer gaming and electronic music are merging like never before, with virtual raves, AI-generated musicians and concerts inside massive multiplayers like Fortnite...
Apollonia are the gods of groovy, stripped-back underground house music. The French trio — consisting of Dan Ghenacia, Shonky and Dyed Soundorom — have been...
It’s late May 2017 in Ibiza, and the end of a long week of opening parties on the island. Shortly after Apollonia close the terrace...
With its high-energy beats, infectious dance routines and community ethos, Jersey club has become a global phenomenon. Tice Cin reports from New Jersey on some of the people pushing the sound forwards, the special moments they create, and their hopes for the future of the music
With his new album, ‘Fragments’, on Ninja Tune, English electronic musician and DJ Bonobo has delivered his strongest, most versatile album since 2010's 'Black Sands'...
Inspired by the Midwest American raves that first got her hooked on dance music, Chicago’s Eris Drew wants to bring a psychedelic communal energy and...
It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
Without bluster or overblown hype, Black Coffee has doggedly worked himself into the position of being not just South Africa’s foremost electronic music artist, but...
Far from the crowds of Ibiza’s resorts and the kaleidoscopic whirl of its clubs, on a tranquil outcrop overlooking the Mediterranean Sea, a man surveys...
When Dax J made worldwide headlines last year for dropping an Islamic call to prayer sample during his set in Tunisia, it looked for a minute...
'Public indecency and offending public morality'. Before April last year, those words probably meant about as much to Dax J as his name did to...