In the early hours of Sunday 1st December 2019, militarised police broke up a Brazilian funk street party called Baile da DZ7 in the São...
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Sónar Festival founder Enric Palau looks back at the event’s first quarter of a century with DJ Mag’s Sónar veteran Ben Osborne...
From 17th from 20th July, Sónar, one of the world’s leading festivals of electronic music, art and technological innovation, will return to Barcelona for its 25th year, and...
Kasra on ten years of Critical Records
Back in 2002 on a sofa somewhere in North London, the concept of a new label was being brewed in the mind of a young DJ named Kasra, a hazy vision that became a reality after an intoxicated conversation with some colleagues.
Features
Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
Features
Ibiza Past is the Instagram account we all need in 2020
DJ Mag Ibiza meets the DJ/producer to talk studio secrets, old skool Ibiza, and how to avoid homogeneous DJ sets...
He’s the latest superstar DJ to nab himself a season-long residency at one of Ibiza’s top superclubs, but Maceo Plex isn’t playing by anyone’s rules...
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More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom
An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations
Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...
We asked big room house producer Lee Mortimer the reasons why he fell in love with music production software, Reason...
Lee Mortimer is one of the hottest producers around at the moment, mixing up tracks for various labels including A-Trak’s Fool’s Gold label, CR2 and...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
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DJ Mag’s annual Best of North American Awards poll gives our readers the opportunity to show their love to their favorite DJs, producers, labels, clubs...
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Japan is producing some of the world’s most vital techno, though its roots go way back to the late 1970s. We talk to some of...
Since the end of World War II, Western culture has loomed large over everyday life in Japan. The decades since have brought about a wide...
Features
East London’s Nervous Horizon label crystallises its sonic signature on its fourth compilation, mutating dancehall rhythms into a post-industrial, experimental space
Nicole Moudaber is a true star of the underground, we sit down with her to find out more...
Nicole Moudaber is a one-woman force of nature. The DJ/producer, born and raised in Nigeria which introduced her to artists like Fela Kuti, started...