A future hero of UK electronic music, Doncaster-born, London-based India Jordan has become a vital figure in a few burgeoning scenes in recent years. As...
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The latest and greatest DJs and producers rising to the top this month. From full-throttle club music and experimental techno to bouncy house grooves, here's...
Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do
DJ Mag USA gets the inside scoop on WMC from your fave DJs...
The year is 2017. The month is March. This means one thing: We are going to Miami where the heat is on all night on...
In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
Over the past 10 years, DJing has undergone seismic transformations in technology and process. New styles of DJing have emerged, and some have had huge...
Last month, 16,000 ravers attended Belfast's AVA Festival at its new home on the Titanic Slipways. DJ Mag traveled to AVA to discover how the event is creating a sense of unity, community and a second wave of rave in the city
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Tony Davis’ visceral photography doesn’t just capture what the UK’s early ‘90s rave culture looked like, it also manages to conjure up what it felt...
The latest and greatest DJs and producers rising to the top this month. From fiery percussive club music and techno to celestial synths and deep...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
Rising to notoriety in the ’90s with his hardcore techno DJ sets, Loftgroover had a huge following, before the pressures of popularity led him to withdraw from the scene. 30 years later, he’s back and rejuvenated as a d&b DJ. Holly Dicker learns his story
Iceland’s Bjarki is so obsessed with making music, he’s forced himself to stop for a little while. Ahead of his new album ‘Happy Earthday’ which...
Bjarki sighs deeply. “I had to try and escape.” Years of writing 10 tracks a day has taken its toll, and he’s finally reached breaking...
In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...
First released in 2012, Donato Dozzy and Neel’s groundbreaking self-titled album as Voices From The Lake changed the landscape of ambient techno, and set a new course for minimalist electronic music. Rob McCallum learns how the ripple effects of its legacy are still being felt like a pulsating torrent today