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Robin Campillo's 120 BPM is a film that shines a light on the tireless work of AIDS activists, ACT UP, in early '90s Paris. Arnaud...

The early 1990s were a pivotal time for the influential underground movements of Paris. Culturally, socially and musically, communities grew within the clubs and social...

With his latest album, the artist proves his genre-defying feats have only just begun...

 

Alexander Ridha loves sound. He uses the word 45 times in 62 minutes of conversation. That’s once every 82 seconds, if you’re counting. “My...

Another year, another fantastic Outlook!

Every year, 16,000 or so bass music fans make the pilgrimage from all over the world to a small coastal town in Pula, Croatia for...

The parties not to miss at ADE 2014

Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...

Signed to Digital Soundboy, stepping into Annie Mac’s shoes, and getting ready for a crazy summer of festival appearances, B.Traits explains how a Canadian country...

In the music industry there are two types of meteoric rise. One is a scary, Susan Boyle-shaped process, where the basking lizard kings of pop pluck an unknown, polish them dumb, tell them what their new name, hairstyle and personality is, and thrust them mercilessly into the light, there to cavort for our pleasure.

Redlight - the artist formerly known as Clipz - is flipping the dance script, shattering genres into a million pieces and pioneering a mongrel music...

As acolytes of electronic dance music, we tend to consider ourselves a fairly fortunate bunch. Within the panoply of different styles, genres and sub-strands, it's...

The high-energy drum & bass sub-genre is back... and in a very big way!

Jump-up — the bouncy, bassline-led strain of drum & bass — seems bigger than ever right now. DJ Mag talks to the leading playaz in...

German DJ and musician Lena Willikens is proud to be an outsider, and her leftfield approach to dance music, art and noise resonates with followers...

Lena Willikens has always been an outsider. Born in the south-west German city of Stuttgart to a Hungarian architect mother and an artist father, formative...

An insight into house sophistication

Nick Wilson is an inveterate crate-digger. There's little he enjoys more than delving in the dusty racks of record emporiums to unearth rich seams of...

There's a new techno sound echoing from the post-industrial streets of one of the UK's biggest conurbations. Influenced by Berlin and Detroit, Manchester's young producers...



Our personal geography is one of the formative things about us. Our immediate surroundings and the people that surround us are our most important influencers...

Photo of Piezo lying on a pile of bags of soil wearing a black t-shirt, white hate and sunglasses

Milan-based producer and DJ Piezo has spent the past decade refining his meticulously mutated strain of club music, with releases appearing on lauded labels such as Wisdom Teeth and Nervous Horizon. Alongside a head-spinning Recognise mix, he tells Christian Eede about his early days in the Italian freetekno rave scene, formative years in Bristol, and the global sound palette of his Ansia label’s latest compilation

On the face of it, Luca Mucci’s gateway into the world of underground electronic music was like many others’ – discovering Aphex Twin and Autechre...

Vintage '90s images taken from old free party events

In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene

Much has been written and debated over the years about just why the concept of a ‘free’ party was so important. Much more than simply...

The Magic City has a long history of homegrown styles that demand attention. Chief amongst these is Miami bass: a rough and tough blend of electro, hip-hop...

“An 808, heavy sub-bass and a snare that isn't shy. Sometimes a really dirty vocal.” These are the key ingredients of any Miami bass track...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

Two pictures side by side. On the left, the Eldorado Auto Skooter sound system. On the right, some of its bumper cars

An iconic 1970s soundsystem lives on inside a Coney Island attraction. Vivian Host catches up with sound engineer Dan Prosseda about the magical speaker stacks of the Eldorado Auto Skooter bumper cars

Most of New York’s revered club soundsystems of the ‘70s and ‘80s are long gone, as are many of the men who built them. Richard...