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The creative trajectory of Porter Robinson has seen the American producer weave through diverse genres and challenging sounds. DJ Mag chronicles the pivotal moments and...

At age 26, Porter Robinson already stands as one of America’s greatest, most ambitious producers of his generation. From his humble beginnings as a self-taught...

Printworks, Bangface, Junk, Motion, House of God, Maximum Pressure; tickets, please... 

The year is gathering momentum like a runaway techno cut, so it's already time for the top 30 UK club events in March 2018.

Amazingly festival...

2012's definitive list of long-players

Featuring Hot Chip, Actress, Guy Gerber, TEED and more..

Souped Up has been a driving force behind the new jump-up sound that’s taken drum & bass by storm. With an emphasis on fun, energetic...

Hackney-based Nervous Horizon has established itself as one of the most exciting and forward-thinking club labels in London. For this month’s The Sound Of, two...

On Cue: Warlock

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...

On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...

“Om Unit was never supposed to be a jungle or a drum & bass project, as such,” Jim Coles, the man behind the moniker, tells...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A guide to dance music's pre-rave past

A guide to dance music's past

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, London-based Hyperdub affiliate...

The Shogun Audio don is on fire

I've just asked Thomas Green, aka Rockwell, one of d&b's hottest producers and DJs of 2013, who is No.1 on his wish list of collaborators. He's thinking about it. I ponder which jungle/d&b legend he's going to opt for. 
“Ian Mackaye,” he says. Nods affirmatively. “Definitely. I'm obsessed with Fugazi and Minor Threat. It's my first love in music — hardcore punk, I love Black Flag and Henry Rollins as well — in fact I went to see his spoken word show a few weeks ago. Ian MacKaye I think probably wouldn't be very into the kind of music I'd make so the results would be... interesting. But, yeah, I would love to work with him.”
Of course, such genre-bending surprise should be of NO surprise to anyone who's properly listened to Rockwell.

Break — one of the most prolific producers in d&b

We grill him on his early musical loves, his approach to tune construction and what's going on for him at this moment in time...

The pressure dome logo in luminous yellow text on a black background. A luminous yellow astronaut, planet and round space ship are also in the scene

Founded by Bristol DJ/producer Yushh in 2019, Pressure Dome’s focus on emerging talent and varied compilations has made it a key force in pushing UK club music to new heights. Here, alongside a mix from its catalogue, Oli Warwick learns more

A fresh spin on a beloved sound, a pool of slept-on talent, a sharp aesthetic — there are plenty of magic ingredients that make a...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

 A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...