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Over the years, has anything offered more sun-drenched hedonism than the Miami party season? Judging by the amount of bikini-ridden, buff-tan parties squeezed into Miami’s...

 

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For New York DJ, artist and label boss Joaquin “Joe” Claussell, music is about spirituality and togetherness. With a new album, ‘Raw Tones’, released this...

“Here comes the hose!” On a sweltering August Saturday in 1999, the Body & Soul party packed New York City’s Grand Central Park for a...

UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...

A camera’s view taken from a drone rises above an London cityscape, revealing countless rows of suburban houses and greenery. Below, a ballied-up teenager starts...

Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...

We need to think about how we document dance music culture. It may seem odd saying this when there are so many magazines, podcasts, and...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Tony De Vit DJing. He's wearing an orange sweater with his left harm held high over his head, with a big smile on his face.

Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced

In case you hadn’t noticed, hard house is back. Though for some, like the ill behaviour, it never went away. A new generation of DJs...

From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...

Floating Bstrd is the illustration guise of Marko Vuleta-Djukanov, the Serbian artist who rose to prominence with work for the likes of Vladimir Ivkovic, Lena...

The worlds of computer gaming and electronic music are merging like never before, with virtual raves, AI-generated musicians and concerts inside massive multiplayers like Fortnite...

What if the next electronic music concert you went to was just... a game? Imagine for a moment: the concert would happen virtually on a...

Who are the most exciting Ram acts now? We delve deeper into the world of Ram...

WILKINSON
29,200 Twitter followers, 126,569 Facebook fans and charting at No.8 in the UK Official Top 40, Wilkinson is big news, but it hasn't always...

We meet futurist techno maestro Richie Hawtin for our ADE issue...

Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...

In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...

When UK Prime Minister Boris Johnson announced the government’s “roadmap” out of lockdown on the 22nd February — a series of dates over which COVID-19...

2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...

Some years stand out for the bangers they produced, for the adrenaline-shot belters that shook festivals and club floors night after night, and never felt...

Dedicated to breaking down cultural binaries and taking on the music industry juggernaut, SOPHIE has obliterated the lines between underground dance music and commerical pop...

It’s a blistering afternoon in Ibiza, and the sun feels laser-trained on the Hard Rock Hotel, where the International Music Summit is taking place. The...

Photo of DESIREE wearing a purple hat and eye-makeup on an emerald background

Soaring ascents, the kind that can take an artist from obscurity to stardom in what seems to be the blink of an eye, don’t occur often, in dance music or elsewhere – those who are lucky enough to have that experience often disappear just as quickly. But there’s little chance of a quick fade for South Africa’s Palesa Desiree Shilabje, the DJ and producer known to the world as DESIREE, who in just a few short years has proved to be one of the international festival circuit’s most exciting new stars. Here, Bruce Tantum hears her story, and about how her evolution through music has been as organic as they come

“I’m finally home.” Those three words are among the first that the South African DJ and producer Palesa Desiree Shilabje utters when DJ Mag catches...