There’s a phenomenon which takes place when you ride the Shinkansen between Tokyo and Kyōto. Bulleting past Mount Fuji at 199 miles per hour opens...
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The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...
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It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...
Bowie, Prince, Space, Trump: We look back at an eventful year – to put it mildly – through the prism of the electronic dance music...
For better or worse, 2016 has been a whirlwind year.
The world seems to have crammed about a decade’s worth of news into a mere...
The evolution of Porter Robinson has been filled with constant transformations throughout the years. The beloved producer once again abandons the sounds that made him...
Porter Robinson opens his mouth and words come pouring out at a mile a minute. When the North Carolina wunderkind is excited, like he is...
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With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...
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Plus Richy Ahmed, wAFF, Patrick Topping & more...
Jamie Jones’ Paradise party at DC-10 has risen to become one of the island’s most popular, but it’s the family ethos behind the successful brand...
Poker Flat boss Steve Bug answers your questions...
“If I wasn’t making music and DJing I’d probably have ended up being a personal trainer,” admits Stefan Bruegeseh, more commonly known in dance music...
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When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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A trained jazz musician, bandleader and DJ, Emma-Jean Thackray couldn’t find a home for herself and her music in more established jazz spaces, so she...
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More than a year after dancing stopped in Ibiza, the middle of 2021 sees a glimmer of hope. DJ Mag’s man on the White Isle...
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At the centre of Daft Punk’s world-beating debut album lay a tribute to the architects of dance music, titled ‘Teachers’. With the help of Neil...
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The UK drum & bass scene has become overwhelmingly male and white. DJ Mag's Becca Inglis speaks to artists, promoters and label owners who are...
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Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...