It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...
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Meet Berlin's benevolent queen...
As a crusader for social justice, Germany’s Monika Kruse brings much more than techno to the global dancefloor. From Munich to Miami, her mission...
DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...
Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.
The artists primed for big things in 2013!
If you thought 2012 was a fine vintage for speaker-cracking sounds, get a load of these lot. They're some of the cats who'll be making the dancefloor an intoxicating place to be this year. Serving up everything from deep disco vibes to subterranean bass darkness, these are the DJ/producers destined to make a splash in 2013...
Cover Features
Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall
Features
Best Of British powered by Relentless Energy Drink is our chance to shine a spotlight on the homegrown stars who fill the pages of our...
BEST DJ: ANDY C
The drum & bass don has scooped the Best DJ gong for the second time in this year’s vote...
“It’s the...
Features
Through its nurturing of new superstars like Aitch and other young local talent, Manchester’s NQ has become a veritable institution of modern UK rap, helping elevate regional artists across the UK. James Keith meets members of the crew during a recent takeover at the legendary Abbey Road Studios, and heads to NQ’s northern base to discover the secret to its success
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Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound
Features
From its beginnings in Yorkshire clubs to becoming a nationwide dance music phenomenon and chart success, the bassline sound has survived and thrived, despite the efforts of the police and club licensing authorities. Matt Anniss charts its rise, fall, resurgence and influence on a new generation of DJs, producers and ravers
Features
Streaming has come to dominate the music industry, but when it comes to actually earning money from plays, the electronic music community has been somewhat...
In a rare interview, the Music On don talks candidly to DJ Mag...
Marco Carola is an enigma. In a rare interview, the Italian techno DJ/producer and Music On promoter talks to DJ Mag about record shopping in...
Is being fit and healthy mutually exclusive from the hedonistic world of dance music? Or can exercise and late-night club culture happily co-exist? DJ Mag...
DJ culture has long been synonymous with a lively hedonistic lifestyle: late boozy nights, early mornings, days and weeks touring on the road — a...
Milan's mischievous crunk house tag team Crookers are primed to be the next dance music superstars. Prior to a momentous gig at London's top dance...
For time immemorial remixes have been the backbone of dance music. A great remix extends the life of a song, makes an average track into...
Cover Features
The raucous rhythms of Jersey club have been everywhere lately, and UNIIQU3, aka the Jersey Club Queen, is one of the main reasons why. Bruce...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today